Archive for October, 2018


Haand: Cervisiam: Frontaal – Death By Disco (Norway: Imperial Stout: 10% ABV)

Visual: Black. Still. Lots of small brown sediment bits visible, especially if held to light. Creamy brown head.

Nose: Syrupy, artificial blueberry syrup. Bitter cocoa. Bitter coffee. Blueberry cheesecake. Strawberry jelly (Jello for non UK). Slight smoke. Sour dough. More natural blueberry. Aniseed.

Body: Thick. Alcohol tingle. Blueberry. Raspberry jelly. Caramel ice creamy syrup. Vanilla ice cream. Mild aniseed. Blueberry cheesecake. Honeycomb. Rough bourbon.

Finish: Blueberry. Lactose sheen. Bitter cocoa. Blueberry cheesecake. Slight bitter prickle. Sour dough. Slight smoke. Alcohol notes. Raspberry jelly. Rough bourbon.

Conclusion: What gets me here is how this seems to artificial when the aroma first slips out of the glass, yet very natural in the berry notes as time goes on. The whole beer feels caught in that dichotomy between natural and artificial feeling notes

This is a big beer with weight that brings a very blueberry cheesecake style, smothered in bitter cocoa style from the base stout. So there are definitely worse looks it could go for as the first impressions for the beer. There is a slight smokiness to the beer as well, a wisp that again adds weight.

So pretty good and very far from sickly sweet which was my first worry from the artificial aroma. At times it even feels like it leans a tad too heavily towards the savoury side, with bready notes becoming dominant – but it doesn’t happen often enough to hurt the beer.

What does hurt the beer is a strong alcohol feel that seems to emphasise the more artificial, syrupy blueberry notes and create a raw and artificial sprit character. These come late on an especially out into the finish where they are most evident.

There is a lot of good to this beer, even some good character in the artificial notes – for example the ice cream syrup, jelly and fruit notes are welcome as sweet bursts against the smokey offset. It feels like it is the alcohol, spirity character that really hurts it. It is a rough kind of neutral spirit to cheap bourbon kind of note that doesn’t ruin the beer, but definitely highlights the weaker artificial elements.

A good base beer, but one that needs to a lot of polish for it to pay off its promise. I can’t recommend it as is, but I do hope that they give it some work to make something really good from this.

Background: Yeah I know it calls itself a sweet stout as well as an Imperial Stout – at 10% abv I am happy putting it in the imperial stout side of things for a category. Anyway, mainly grabbed this as I liked the idea of blueberry sweet stout, and Haand have been interesting so far, if not quite having a beer I have tried yet that 100% wowed me. Another one grabbed from Independent Spirit. Had recently grabbed Rise Against – “Appeal To Reason” cheaply so put it on while drinking. Not quite formulated an opinion yet – seems solid so far but not really dug into it yet.

Advertisements

Cantillon: Iris (Belgium: Lambic: 6.5% ABV)

Visual: Hazy, dark apricot colour. Large off white head of short life.

Nose: Apples. Cider. Tart and fresh. Lightly bitter. Oats. Dried apricot.

Body: Smooth. Mild bitter hop character. Dried apricot. Prickly. Sour cream. Tart apples. Light peppermint. Vanilla.

Finish: Apples to cider. Peppery hop bitterness and charring. More charring over time. Tart pears to perry. Dry oaken notes. Dry white wine. Peppermint. Vanilla.

Conclusion: Controversial opinion time – I prefer this is bottle over having it on tap. I know. I’m a heretic. A recidivist at that. I should be taken away and flogged.

Anyway, potential kink fuel aside, the thing that made the difference here is the tartness. It is more a fresh cider and perry set of notes up front . There is still some lambic white wine like character but less so that normal, so giving a smoother and fuller base than the keg version. As it turns out that is important. Why? I’ll get to that in a moment.

In the keg the hop character was more instantaneous, coming in from the very first moment and it made the lambic side of things more difficult to appreciate. Here you get a fresh, tart cider character first, then slowly the hop prickle comes out – some apricot hop flavours, then pepper, hoppy bitterness. Then the beer slowly fades out into an initially lightly charred then oaked and heavily charred bitterness finish.

It give the beer a decent progression. Since the hops and charring take time to come they feel welcome when they do, rather than slightly wearing by the end if they are there all the time. In keg it was pushing everything, all the time, which was ok in short doses but could get old fast.

Here in a bottle, like this, it is a fruity cider like lambic that slowly builds extra flavour and hops out into a surprisingly harsh hop finish. It brings together two good tastes – the experience of a sour and a hop bitterness, both in one beer,

Even in bottle I would call in a lambic to have occasionally rather than regularly, but it is much more welcome and very enjoyable.

Background: A bit of copy paste for this one – I grabbed this at the Moor Taphouse on Zwanze day – the day Cantillon releases a new, unique beer to a few pubs around the world. Of which the tap-house was one, I didn’t do notes on Zwanze as I was being *shudder* social, but it was very nice. Anyway, they had a good range of Cantillon in bottles as well so I grabbed a couple to bring back. This is one of them. Natch. Otherwise that whole story would have been pointless. For a second time. Like Nath I had some initial worries – on popping the cork there was again liquid soaked through the cork and a vinegar aroma. Thankfully after pulling the cork out the beer below was fine again. Whew. Again. Iris is odd for a lambic, not having any wheat in the mash bill, and using 50% fresh instead of dried hops – then is cold hopped again after two years in a barrel. Very intriguing. Went a bit out there by putting on Selfish Cunt – No Wicked Heart Will Prosper while drinking. It is kind of depressing that album is over a decade old, yet still the anger at modern politics is appropriate in very similar ways.

Dogma: Hoptopod IPA (Serbia: IPA: 6.5% ABV)

Visual: Cloudy lemon colour. Lots of small bubbled carbonation. Very large lace leaving loose bubbled white head.

Nose: Piney. Hoppy. Resinous. Slightly oily. Floral. Wheat fields. Pineapple. Jiff lemon. Slight lime. Tangerine.

Body: Bubblegum. Tart pineapple. Raspberry to raspberry yogurt. Dry lemon juice. Sour dough. Lemongrass. Orange juice. Slight oily hop character.

Finish: Bubblegum. Crisp hops. Vanilla yogurt. Slight bitterness. Dry lemon and lemongrass. Slow growing and growling hop bitterness.

Conclusion: Are they sure that Sorachi Ace was not used in making this? It isn’t listed in the hop choice but it sure tastes like there is at least a dash of it in there. So, a bit of an unusual IPA then.

The aroma promises something fairly normal – a piney, slightly resinous hop character. Slightly fresh, so a dry hop bomb with some tart fruit as a mild offset. Pretty standard west coast right?

Not exactly, but not exactly wrong either.

The base is fairly dry, with moderate hop character, but it is absolutely bursting with tart juiciness – almost bitty fruit juice style. Orange juice, pineapple, and … this is where it gets odd … bubblegum with light sweet raspberry yogurt notes. Those last two give a slightly artificial, yet still welcome set of chewy sweet or candy set of notes in the middle of the beer. It results it a more chewy character than the dry start would make you think, but not in an overly malt led way – more like a very bitty fruit shake.

It then leads out into a fruit tart finish that slowly subsides into a growling bitterness that finally pays off the hop promise of the aroma.

Overall, I dig it – heavily fruity but with a dry base that shows the IPA style and uses just enough hop character and bitterness that it is still solidly an IPA. Doesn’t ape other IPAs but still recognisable as one. Tart, unusual and drinkable. A solid hit I say.

Background: I was gifted a free month subscription to Beer 52 recently by a mate – Many thanks! – so here it is. They sent a Balkans themed case of beer, of which this was one. Only had a few beers from that area – mainly when I was visiting Belgrade, so was an interesting box to go with. Would I recommend them? Well beer selection seems nice, they include a guide to the beer with some cool articles, so not bad. Warning however – they are an utter fucking dick to cancel. Yes I cancelled after the free box. My cupboard is scary packed at the moment. First world problems. The issue with cancelling the subscription is you sign up online, pause subscription online, but if you try to cancel – after several attempts to make you stay – they inform you that you cannot cancel online via their site. You have to call them, and be put on hold for ages with a painfully scratchy line that genuinely hurt my ears. I was ready to tell them to fuck right off, but I noticed that in smaller text they mention you can cancel by e-mail. Which I did. The person handling that was great, so cool. Did a lot to restore them to my good graces, so may use them in the future for a short while if they have similar interesting region based boxes. Still a crappy set-up though – if you have to make unsubscribing a hassle, then your service isn’t good enough to stand on its own two legs. Rant over. Anyway – tried for vaguely appropriate music by putting on Goran Bregovic – Tales and Songs from Weddings and Funerals while drinking.

Bushmills: Steamship Collection: #3 Char Bourbon Cask (Irish Single Malt Whiskey: 40% ABV)

Visual: Yellow to grain. Clear. Fast thick streaks come from the spirit.

Nose: Quite strong alcohol. Lime. Pumpkin. Toasted teacakes. White chocolate. Crumpets. Burnt sugar. Butter. Light charring. Water adds an aniseed touch.

Body: Creamy. Alcohol warmth. Vanilla toffee. White chocolate. Buttery. Toasted teacakes. Water adds fudge. Light pepper. Very smooth. Creamy lime.

Finish: Toasted teacakes. Butterscotch. Buttery. Creamy lemon. Creamy lime. Water adds more creamy lime. Slight caramel. Aniseed.

Conclusion: This a very gentle Bushmills’ flavour-wise compared to the huge cask ageing influence of the previous two steamship expressions I have tried. That is something that seems somewhat of a mixed blessing here, for as much as a gentle, easy drinking Bushmills can be a cool thing it feels like there is some quite young spirit in this which makes it feel a tad alcohol rough up front and runs roughshod over the lighter flavours.

Neat, and on first pour, it is a bit alcohol rough and empty behind that. It is creamy in feel and taste, but it is hard to dig into the whiskey and get any depth from it. Time helps, clearing the rough fumes and gets this one going. The gentle Bushmills’ spirit character is there now, and showing very clearly the bourbon cask influence. Lots of creamy, buttery character with white chocolate and bready toasted teacakes flavours.

It is very much about the Bourbon influence though – the base spirit seems to give only gentle lime notes and a smooth but solid character to work at as the base.

Water helps bring out the creaminess and adds a touch of peppery spice that gives a bit of pep the whiskey needs. This is where it is at its best – creamy and easy drinking with more of the creamy lemon and lime notes coming out, against the bourbon influence of soft fudge and caramel sweet notes, but with just a few spicier notes. Now, at 40% abv and gentle you need to be careful not to add too much water, and what you get is not unexpected for Bourbon ageing, but here you do get a very clear expression of what that charred bourbon oak can do. It feels for the most part that the base spirit is just a delivery system for that experience.

Not the greatest Bushmills – lacking the range or vibrancy of their best expressions – It seems that pure ageing in charred oak isn’t the best use of their spirit to accentuate its strengths, but it is still an easy drinking and creamy whiskey that really shows the cask. Ok, but not a must have.

Background: Back in the day I loved the more unusual barrel aged expressions of Bushmills that popped up every now and then and I was sad to see them vanish. Thus when they started doing these Steamship expressions, aged in odd cask, they jumped onto my must grab list – though they are only available through travel retail which has made hunting them bloody difficult. This one was grabbed by my parents for me while they were on holiday – many thanks! It is a more standard expression that the past two (Port and sherry casks) being aged as it is, in charred bourbon barrels. Still, it was one I was happy to grab. Went with Arch Enemy – Will To Power while drinking, and went through a few measures as I contemplated my thoughts on it.

Big Drop: Sour (England: Low Alcohol Sour: 0.5% ABV)

Visual: Pale yellow and clear. Some carbonation. Short lived white head.

Nose: Wet cardboard. Lightly sour. Apple juice to cider. Wet rocks. Pears. Mild vinegar. Soft lemon.

Body: Tart and tingling. Soft lychee. Slight chalk. Mild cider. Cardboard. Mild vanilla.

Finish: Lightly bitter and charring. Vanilla. Touch. Lychee. Watery.

Conclusion: Chilled down this is fairly empty. It is lightly tart and tingling but without any real grip to it. It is watery with beer like elements floating within that. However for all it was as let down like this, there are hints of something else – slight cider apple and soft lychee notes – subtle flavours that are overpowered by the mild, but still rougher, chalk and charring notes.

So, with not much else to it, I decided to see if time and some warmth could make a difference then.

Warmth helps develop some body, giving it a slighter thicker touch that brings out soft vanilla and allows the soft lychee notes a bit more grip to work with. It is still a gentle beer, lager like it its dryness, with lightly tart and sour notes over that. Even with the aforementioned chalk and charring notes it is still gentle – no real rough edges here, which I will admit is an odd thing in a sour beer. Usually they are all prickly oddities and harsh but joyous notes.

There are light cider and light vinegar touches that would be harsher elements if they did not feel heavily watered down by the lightness of the rest of the beer. Now they are just slightly more acidic notes while gentle apple and pear notes are delivered over it.

Now warmed up it is reasonable – as mentioned a lightly sour touch over a dry lager feel with gentle tart fruit notes as the flavours. Sour beers are not a common entry in the low alcohol range, so for that I commend it – however recently Mikkeller did their low abv take on “Hallo Ich Bin Berliner Weisse” and that set a new bar for low alcohol sour beers. So, while this is ok, dry, drinkable and refreshing it is not a patch on that low abv wonder.

Had cool this is very weak, with warmth it is ok but unexciting outside of its unusual place in the low alcohol drink range. So, ok, but with a lot of room to grow better.

Background: I tried this a short while ago, picked up from Beercraft, but did not do notes at the time. This time it was grabbed from Independent Spirit. I’ve been digging Big Drop’s low alcohol beers, especially their pale ale, and wanted to see how their sour did and how it has progressed since the first batch. Drunk on an otherwise non drinking night I put on one of Eels live albums – “Oh What a Beautiful Morning” while drinking – nice gentle tunes. Always like The Eels’ live stuff -each tour they play old songs in the style of their most recent album so it feels like a fresh experience each time.


Collective Arts: Ransack The Universe (Canada: IPA: 6.8% ABV)

Visual: Clear, light hazy yellow to apricot body. Lots of small bubbled carbonation. Solid creamy white head that leaves suds.

Nose: Resin. Hop oils. Soft lime. Floral. Crisp bitterness. Pineapple.

Body: Oily bitterness. Mild gherkin. Pineapple. Prickly. Resin. Grapefruit. Slight vanilla. Dry body. Slight fudge. Mandarin orange. Tart grapes. Lychee. Peach syrup.

Finish: Oily bitterness. Oily charring. Dry charring. Bitter hop character. Gunpowder tea. Grapefruit. Tart orange. Palma violets.

Conclusion: Ok, this is a punchy wee one. It comes across a lot different from the fresh fruity IPA was was expecting from the hop choice in making it. It has a tart fruit character, but emphasises the dry attenuated base and a bitter, charred to gunpowder tea hop kick that is slightly smoothed by hop oiliness.

It feels like a beer that want s to kick you hard, then gently hug you with flavour after. Initial impression are prickly hops, oily, resinous and quickly leads out into a charred bitter finish. The base is dry and out of the way – not getting in the path of the hop punch at all. Here the beer feels kind a fairly brutal IPA, weighty enough backing that the charring isn’t evil and harsh, but still kind of one note.

Time, heat and the slow build of repeated sipping all come together to give access to a second layer of flavour – tart pineapple into brighter tart orange notes with a sour, mild gherkin like twist to it. The hops rock up front, but now with subtle flavours backing it, giving something hiding behind the harshness. Heck, you even get a soft vanilla fudge note that hints at actual malt presence, but without harming the super dry IPA character.

So it is definitely leaning towards the dry, hop assault IPA side of things, which is super my jam. Thankfully. It doesn’t leverage the favour from the hops fully, and can be a tad harsh in the bitterness, but it is a very satisfying, brutal, hop bomb with a lot to back it up flavour-wise.

In a normal environment I’d call this a good beer – in this world where there are so many milkshake/NEIPA/etcs I’m just very happy that I got my hand on an IPA like this again.

A solid beer.

Background: Didn’t run into Collective Arts while I was over in Canada, so when I saw them turn up in the UK with their wonderfully evocative can illustrations I thought I might as well give them a go. I went through all of them looking for an IPA without a New England before it. Yes I’m still not 100% on board with the NEIPA style. Anyway, saw this, grabbed it, drank it. Simple enough story. Put on Throwing Muses’ self titled album while drinking – saw Kristin Hersh was touring again and it brought them back to mind. Nice gentle drinking tunes.


Deya: CGBW Export Stout (England: Foreign Stout: 7% ABV)

Visual: Black and still. Moderate creamy brown head.

Nose; Milky chocolate. Crushed cashew nuts. Cream. Ash smoke. Smooth. Mild smoked bacon. Milky coffee.

Body: Thick, slightly cloying sour cream character. Heavy. Creamy mouthfeel but not sweet. Milky. Muted cocoa dust. Slight chewy Reisen chocolate. Slight black-cherry. Honey late on. Vanilla fudge.

Finish: Sour cream and sour dough. Bitter cocoa. Brown bread. Light chalk. Milky. Slight choc toffee. Soot. Nutty. Honey late on. Greenery,

Conclusion: This is a pretty savoury stout. Thick sour cream and sour dough feel, with a milky yet stodgy base underneath. Not what I expected from the aroma which was creamy and sweet mixing milky coffee and chocolate notes which are not representative of the chewy weight below.

Large mouthfeels do reveal some sweeter notes in the midst of the milky morass of the main body, but generally this is a bready, milky savoury thing that you feel you should come at with a knife and fork to enjoy. Really not sure what happened to the big cocoa character of the aroma.

Its ok but feels a bit staid – the milkiness is the biggest issue for me. It feels like an empty, neutral weight that doesn’t make room for the other flavours. It does open up a bit as time goes on though, I will admit, a honey sweetness and thickness that gives more grip to the smoke and cocoa notes that had problems finding purchase on your tongue before.

This, late on, addition does add a lot to the beer – still savoury led, it feels more open to exploration with bready, sweet, savoury and greenery notes coming out. Still can be a tad empty on some sips but generally good.

So, a slow starter but with good high points when it gets going. Not as stand out beer, mainly due to the weak start, but it does earn the time spent on it by the end.

Background:So, I listed this as being by Deya Brewing Co. Technically it is a collaberation with (deep breath) Gloucester Brewery, Prescott Ales, Hillside Brewery, Velvet Owl Brewing Co. and Favourite Beers for Cheltenham & Gloucester Beer Week 2018. That many names didn’t really fit on the line though so I went with Deya. Haven’t had a Foreign Stout for a bit so grabbed it from Independent Spirit – it is made with cocoa nibs, which is a fairly common occurrence these days. Also the profits go to the charity National Star, which is nice. Anyway, enough on that, heavy beer time, so heavy music time – went very retro with the self titled Slipknot album. Mock if you want as yes it is pantomime angry nu-metal, but I still enjoy it. Not everything needs to be a work of art. Sometimes you just want people in masks screaming over guitars.

Mikkeller: Boon: Oude Geuze (Vermouth Foeders) (Denmark: Gueuze: 6.6% ABV)

Visual: Hazy pale apple juice colour with moderate white bubbled head.

Nose: White wine. Dry. Oats. Black pepper. Dried apple. Appetizer. Spritzy notes. Yeast funk.

Body: Apple front. Dry. Dry white wine. Oak. Dried apricot. Slight charring. Yeast funk. Slightly sour. Chalk. Menthol Vanilla.

Finish: Dry white wine. Yeast funk. Mature cheese. Peppery. Dry lemon juice. Apple. Sour. Oaken. Champagne. Slight peppermint.

Conclusion: Ok, I wasn’t expecting this to be so apple touched in flavour. It isn’t cider like, which would be how you may expect apple in a lambic to come across, but more like dried apple chunks that have been left in the mix. Beneath that is a very dry, slightly sour, white wine character. It is a surprisingly intense beer though with notes like pepper, slight charring and oak all coming into the mix. While wood notes aren’t unusual in a lambic, this definitely feels more woody than most and more spritzy with it. It has a fizzy mouthfeel that comes across through the dryness.

The rougher edges make it feel like a prickly beer – sour and peppery edges over a white wine and lightly menthol to peppermint touched base. As these settle a vibrant yeast funkiness rises – mature cheese notes complement by the pepper to create a fuller and more rewarding mouthfeel and taste.

It always feel slight sour though – very dry and mouth tingling with an unusual set of minty notes freshening and accentuating the dry base. Its a good look if a tad rough around the edges. It ends up feeling even more mouth freshening that even a lot of other geuzes, which is saying something. At its best it is wakening, at its worst it as an almost freshly cleaned teeth feel – though less gross than that sounds. What makes it work is it never loses that apple character – it is not as strong after a while, but it is definitely the most pleasant characteristic and gives a lot of charm to the beer.

It is definitely an acquired taste – the more peppermint like elements take a while to grow on you. For me it was good but a tad too menthol fresh. I’d go for other geuzes to return to, but this one was definitely interesting.

Background: A vermouth foeder aged lambic? Interesting. I’m not a huge drinker of vermouth, but aware of it enough that this intrigued me. Boon tend to be excellent with their geuzes and a collaboration with Mikkeller tends to add to the quality, so when I saw this at Independent Spirit I grabbed it. Not much more to add – got a whole bunch more lambics and sours to come, what with the recent Cantillon bottle pick up at Zwanze day – so if you like these sort of notes more are to come. Was drinking this the day after a mind blowingly awesome and energetic Crossfaith gig so put their tunes on. Genuinely the highest energy live show I’ve been to in years. If you get the chance and like electronic dance-metal mash ups, definitely give them a go.

Northern Monk: Slim Pickens: Patrons Project: 8.05: Raspberry and Honeydew Melon Kolsch Style Ale (England: Kolsch: 5.5% ABV)

Visual: Pale hazy yellow. Moderate small bubbled carbonation. Medium white head.

Nose: Fresh raspberry. Fluffy hops. Vanilla. Melon. Slightly oily.

Body: Vanilla. Honey. Crisp and dry underneath. Hop oils. Mild tart raspberry. Fluffy hop feel.

Finish: Vanilla custard. Honey. Slight dry fluffy hop feel. Melon and watermelon. Hop oils. Fresh raspberry. Sour dough.

Conclusion: This definitely is more about the extra fruit flavours and less about the kolsch flavour characteristics, more using the kolsch style as a base for easy drinking style. It shows little of the moderate hop style or bitterness kick that I would expect from a kolsch. Which is fair enough, this is a bit experimental – I just needed to make sure I checked my expectations going in.

So, yeah it is honey sweet – and a I know honeydew melon was used in making this, but I don’t think it came from that, but more obvious is a gentle vanilla backbone. Though there is an extra thickness to the dry and very drinkable base that calls actual honey to mind – a nice extra character, mildly syrupy but smoothed by the beer. It is only a slight extra thickness but occasionally does work against the easy drinking nature of the beer. A trade off I guess, it isn’t bad at all, just slightly off being perfectly balanced.

Flavour-wise it rocks a tart raspberry character which helps offset that thicker sweetness – It is tasty and refreshing. The melon is less obvious but there are some clean flavours at the edges which seem to be it working its way in. So, a tasty beer and despite the few oily notes coming through still fairly drinkable.

The base kolsch shows itself mainly as a fluffy hop mouthfeel and light hop oils. The bitterness is low, the rest of the mouthfeel is dry – when it shows itself from below the other ingredients anyway. The hop feels adds a bit of an edge so it is not too syrupy, similarly the dryness helps put the brakes on the sweetness,keeping everything in proportion.

Overall a fairly simple, enjoyable easy drinking beer that doesn’t push its roots much but does use the extra ingredient very well. Not super polished, but it does the job for a beer in the sun. That I drank after summer ended.

Background: I have been seriously enjoying Northern Monk’s varied patrons projects – collaborations with a fairly unusual set of people compared to the standard brewers, so I tend to keep my eyes on the new ones. This one grabbed my eye due to being a Kolsch – an unusual style that doesn’t seem to get much craft beer experimentations. Kolsch is a beer made with ale yeast, but cold conditional like a lager usually creating a nicely hoppy and bitter but easy to drink beer. Slim Pickens make cider and mead and I’m guessing the idea of adding raspberry and honeydew melon to the beer was theirs. Vague also got involved – a magazine maker who I’m guessing were involved in the skateboard image for the label? I guess. Another one grabbed from Independent Spirit. Drunk while listening to Dead Kennedys – Plastic Surgery Disasters. Something about modern politics is making me go heavy back into punk listening again. Can’t imagine what….

Cantillon: Nath 2018 (Belgium: Fruit Lambic: 5% ABV)

Visual: Hazy but generally clear body of apricot colour. Moderate off white head. Very little carbonation.

Nose: Horse blankets. Dry white wine. Dry crusty white bread. Tart. Gooseberry. Rhubarb.

Body: Tart. Tart grapes. Elderberry. Tart rhubarb grows over time. Oats. Lightly chalky. Earthy. Lemony.

Finish: Tart rhubarb. Tart white grapes. Lightly chalky. Gooseberry. Vanilla. Tannins. Lemony.

Conclusion: Ok, now rhubarb is tart, lambic is tart also. So, because of that it took me a short while while drinking this to work out where one ended and the other began. It was not immediately obvious is what I am saying. Thankfully it became more obvious over time, otherwise I was going to be very confused.

So, as you may have guessed, first impressions are very straight up gueuze like character – horse blanket aroma, dry white wine and tart grape character. Ya know, good, but I could just have bought myself a gueuze if I had wanted that. Still, even like this is has the super dry, drinkable Cantillon character and what I used to find mouth puckering level sourness back in the day. Now years later it is just a pleasant sour kick that has become an old friend.

Over time the rhubarb character came out – that recognisable tart style in the middle, then leading out into the earthy style in the finish. It turns out that, contrary to what I first thought, it actually is fairly present – it just complements the gueuze so well that it takes a bit of time to separate them. When you do thought it is like a magic eye picture image popping out – this just delicious rhubarb character mixed with the white wine dry character.

There is a bit more fruit play noticeable now as well – the tartness has a gooseberry and elderberry character at the edge. As a result the tartness already there from the grapes is pushed up a notch, but again there is that earthy rhubarb character in the finish that helps ground it.

So, despite my initial doubts, this does the rhubarb justice – a very competent lambic that, however, is slightly lacking in range compared to some other Cantillons as the base and the rhubarb are so close in character. Not their best but a solid contender and a solid Cantillion is still a hell of a beer by any standard.

Background: So, I grabbed this at the Moor Taphouse on Zwanze day – the day Cantillon releases a new, unique beer to a few pubs around the world. Of which the tap-house was one, I didn’t do notes on Zwanze as I was being *shudder* social, but it was very nice. Anyway, they had a good range of Cantillon in bottles as well so I grabbed a couple to bring back. This is one of them. Natch. Otherwise that whole story would have been pointless. This is a lambic made with rhubarb. Long time readers may have noticed I am fascinated with rhubarb beers, even if their quality varies greatly. Speaking of varied quality I was very worried -on popping the cap off this as the cork below was soaked through and smelt of harsh vinegar, so I was worried the beer was off. Thankfully on removing the cork the beer within was fine. Whew. After failing to play Pixies – Bone machine during the Bone Machine beer review, I made up for it by putting the best of pixies while drinking this. The Pixies rule.

%d bloggers like this: