Archive for October, 2018



Collective Arts: Ransack The Universe (Canada: IPA: 6.8% ABV)

Visual: Clear, light hazy yellow to apricot body. Lots of small bubbled carbonation. Solid creamy white head that leaves suds.

Nose: Resin. Hop oils. Soft lime. Floral. Crisp bitterness. Pineapple.

Body: Oily bitterness. Mild gherkin. Pineapple. Prickly. Resin. Grapefruit. Slight vanilla. Dry body. Slight fudge. Mandarin orange. Tart grapes. Lychee. Peach syrup.

Finish: Oily bitterness. Oily charring. Dry charring. Bitter hop character. Gunpowder tea. Grapefruit. Tart orange. Palma violets.

Conclusion: Ok, this is a punchy wee one. It comes across a lot different from the fresh fruity IPA was was expecting from the hop choice in making it. It has a tart fruit character, but emphasises the dry attenuated base and a bitter, charred to gunpowder tea hop kick that is slightly smoothed by hop oiliness.

It feels like a beer that want s to kick you hard, then gently hug you with flavour after. Initial impression are prickly hops, oily, resinous and quickly leads out into a charred bitter finish. The base is dry and out of the way – not getting in the path of the hop punch at all. Here the beer feels kind a fairly brutal IPA, weighty enough backing that the charring isn’t evil and harsh, but still kind of one note.

Time, heat and the slow build of repeated sipping all come together to give access to a second layer of flavour – tart pineapple into brighter tart orange notes with a sour, mild gherkin like twist to it. The hops rock up front, but now with subtle flavours backing it, giving something hiding behind the harshness. Heck, you even get a soft vanilla fudge note that hints at actual malt presence, but without harming the super dry IPA character.

So it is definitely leaning towards the dry, hop assault IPA side of things, which is super my jam. Thankfully. It doesn’t leverage the favour from the hops fully, and can be a tad harsh in the bitterness, but it is a very satisfying, brutal, hop bomb with a lot to back it up flavour-wise.

In a normal environment I’d call this a good beer – in this world where there are so many milkshake/NEIPA/etcs I’m just very happy that I got my hand on an IPA like this again.

A solid beer.

Background: Didn’t run into Collective Arts while I was over in Canada, so when I saw them turn up in the UK with their wonderfully evocative can illustrations I thought I might as well give them a go. I went through all of them looking for an IPA without a New England before it. Yes I’m still not 100% on board with the NEIPA style. Anyway, saw this, grabbed it, drank it. Simple enough story. Put on Throwing Muses’ self titled album while drinking – saw Kristin Hersh was touring again and it brought them back to mind. Nice gentle drinking tunes.

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Deya: CGBW Export Stout (England: Foreign Stout: 7% ABV)

Visual: Black and still. Moderate creamy brown head.

Nose; Milky chocolate. Crushed cashew nuts. Cream. Ash smoke. Smooth. Mild smoked bacon. Milky coffee.

Body: Thick, slightly cloying sour cream character. Heavy. Creamy mouthfeel but not sweet. Milky. Muted cocoa dust. Slight chewy Reisen chocolate. Slight black-cherry. Honey late on. Vanilla fudge.

Finish: Sour cream and sour dough. Bitter cocoa. Brown bread. Light chalk. Milky. Slight choc toffee. Soot. Nutty. Honey late on. Greenery,

Conclusion: This is a pretty savoury stout. Thick sour cream and sour dough feel, with a milky yet stodgy base underneath. Not what I expected from the aroma which was creamy and sweet mixing milky coffee and chocolate notes which are not representative of the chewy weight below.

Large mouthfeels do reveal some sweeter notes in the midst of the milky morass of the main body, but generally this is a bready, milky savoury thing that you feel you should come at with a knife and fork to enjoy. Really not sure what happened to the big cocoa character of the aroma.

Its ok but feels a bit staid – the milkiness is the biggest issue for me. It feels like an empty, neutral weight that doesn’t make room for the other flavours. It does open up a bit as time goes on though, I will admit, a honey sweetness and thickness that gives more grip to the smoke and cocoa notes that had problems finding purchase on your tongue before.

This, late on, addition does add a lot to the beer – still savoury led, it feels more open to exploration with bready, sweet, savoury and greenery notes coming out. Still can be a tad empty on some sips but generally good.

So, a slow starter but with good high points when it gets going. Not as stand out beer, mainly due to the weak start, but it does earn the time spent on it by the end.

Background:So, I listed this as being by Deya Brewing Co. Technically it is a collaberation with (deep breath) Gloucester Brewery, Prescott Ales, Hillside Brewery, Velvet Owl Brewing Co. and Favourite Beers for Cheltenham & Gloucester Beer Week 2018. That many names didn’t really fit on the line though so I went with Deya. Haven’t had a Foreign Stout for a bit so grabbed it from Independent Spirit – it is made with cocoa nibs, which is a fairly common occurrence these days. Also the profits go to the charity National Star, which is nice. Anyway, enough on that, heavy beer time, so heavy music time – went very retro with the self titled Slipknot album. Mock if you want as yes it is pantomime angry nu-metal, but I still enjoy it. Not everything needs to be a work of art. Sometimes you just want people in masks screaming over guitars.

Mikkeller: Boon: Oude Geuze (Vermouth Foeders) (Denmark: Gueuze: 6.6% ABV)

Visual: Hazy pale apple juice colour with moderate white bubbled head.

Nose: White wine. Dry. Oats. Black pepper. Dried apple. Appetizer. Spritzy notes. Yeast funk.

Body: Apple front. Dry. Dry white wine. Oak. Dried apricot. Slight charring. Yeast funk. Slightly sour. Chalk. Menthol Vanilla.

Finish: Dry white wine. Yeast funk. Mature cheese. Peppery. Dry lemon juice. Apple. Sour. Oaken. Champagne. Slight peppermint.

Conclusion: Ok, I wasn’t expecting this to be so apple touched in flavour. It isn’t cider like, which would be how you may expect apple in a lambic to come across, but more like dried apple chunks that have been left in the mix. Beneath that is a very dry, slightly sour, white wine character. It is a surprisingly intense beer though with notes like pepper, slight charring and oak all coming into the mix. While wood notes aren’t unusual in a lambic, this definitely feels more woody than most and more spritzy with it. It has a fizzy mouthfeel that comes across through the dryness.

The rougher edges make it feel like a prickly beer – sour and peppery edges over a white wine and lightly menthol to peppermint touched base. As these settle a vibrant yeast funkiness rises – mature cheese notes complement by the pepper to create a fuller and more rewarding mouthfeel and taste.

It always feel slight sour though – very dry and mouth tingling with an unusual set of minty notes freshening and accentuating the dry base. Its a good look if a tad rough around the edges. It ends up feeling even more mouth freshening that even a lot of other geuzes, which is saying something. At its best it is wakening, at its worst it as an almost freshly cleaned teeth feel – though less gross than that sounds. What makes it work is it never loses that apple character – it is not as strong after a while, but it is definitely the most pleasant characteristic and gives a lot of charm to the beer.

It is definitely an acquired taste – the more peppermint like elements take a while to grow on you. For me it was good but a tad too menthol fresh. I’d go for other geuzes to return to, but this one was definitely interesting.

Background: A vermouth foeder aged lambic? Interesting. I’m not a huge drinker of vermouth, but aware of it enough that this intrigued me. Boon tend to be excellent with their geuzes and a collaboration with Mikkeller tends to add to the quality, so when I saw this at Independent Spirit I grabbed it. Not much more to add – got a whole bunch more lambics and sours to come, what with the recent Cantillon bottle pick up at Zwanze day – so if you like these sort of notes more are to come. Was drinking this the day after a mind blowingly awesome and energetic Crossfaith gig so put their tunes on. Genuinely the highest energy live show I’ve been to in years. If you get the chance and like electronic dance-metal mash ups, definitely give them a go.

Northern Monk: Slim Pickens: Patrons Project: 8.05: Raspberry and Honeydew Melon Kolsch Style Ale (England: Kolsch: 5.5% ABV)

Visual: Pale hazy yellow. Moderate small bubbled carbonation. Medium white head.

Nose: Fresh raspberry. Fluffy hops. Vanilla. Melon. Slightly oily.

Body: Vanilla. Honey. Crisp and dry underneath. Hop oils. Mild tart raspberry. Fluffy hop feel.

Finish: Vanilla custard. Honey. Slight dry fluffy hop feel. Melon and watermelon. Hop oils. Fresh raspberry. Sour dough.

Conclusion: This definitely is more about the extra fruit flavours and less about the kolsch flavour characteristics, more using the kolsch style as a base for easy drinking style. It shows little of the moderate hop style or bitterness kick that I would expect from a kolsch. Which is fair enough, this is a bit experimental – I just needed to make sure I checked my expectations going in.

So, yeah it is honey sweet – and a I know honeydew melon was used in making this, but I don’t think it came from that, but more obvious is a gentle vanilla backbone. Though there is an extra thickness to the dry and very drinkable base that calls actual honey to mind – a nice extra character, mildly syrupy but smoothed by the beer. It is only a slight extra thickness but occasionally does work against the easy drinking nature of the beer. A trade off I guess, it isn’t bad at all, just slightly off being perfectly balanced.

Flavour-wise it rocks a tart raspberry character which helps offset that thicker sweetness – It is tasty and refreshing. The melon is less obvious but there are some clean flavours at the edges which seem to be it working its way in. So, a tasty beer and despite the few oily notes coming through still fairly drinkable.

The base kolsch shows itself mainly as a fluffy hop mouthfeel and light hop oils. The bitterness is low, the rest of the mouthfeel is dry – when it shows itself from below the other ingredients anyway. The hop feels adds a bit of an edge so it is not too syrupy, similarly the dryness helps put the brakes on the sweetness,keeping everything in proportion.

Overall a fairly simple, enjoyable easy drinking beer that doesn’t push its roots much but does use the extra ingredient very well. Not super polished, but it does the job for a beer in the sun. That I drank after summer ended.

Background: I have been seriously enjoying Northern Monk’s varied patrons projects – collaborations with a fairly unusual set of people compared to the standard brewers, so I tend to keep my eyes on the new ones. This one grabbed my eye due to being a Kolsch – an unusual style that doesn’t seem to get much craft beer experimentations. Kolsch is a beer made with ale yeast, but cold conditional like a lager usually creating a nicely hoppy and bitter but easy to drink beer. Slim Pickens make cider and mead and I’m guessing the idea of adding raspberry and honeydew melon to the beer was theirs. Vague also got involved – a magazine maker who I’m guessing were involved in the skateboard image for the label? I guess. Another one grabbed from Independent Spirit. Drunk while listening to Dead Kennedys – Plastic Surgery Disasters. Something about modern politics is making me go heavy back into punk listening again. Can’t imagine what….

Cantillon: Nath 2018 (Belgium: Fruit Lambic: 5% ABV)

Visual: Hazy but generally clear body of apricot colour. Moderate off white head. Very little carbonation.

Nose: Horse blankets. Dry white wine. Dry crusty white bread. Tart. Gooseberry. Rhubarb.

Body: Tart. Tart grapes. Elderberry. Tart rhubarb grows over time. Oats. Lightly chalky. Earthy. Lemony.

Finish: Tart rhubarb. Tart white grapes. Lightly chalky. Gooseberry. Vanilla. Tannins. Lemony.

Conclusion: Ok, now rhubarb is tart, lambic is tart also. So, because of that it took me a short while while drinking this to work out where one ended and the other began. It was not immediately obvious is what I am saying. Thankfully it became more obvious over time, otherwise I was going to be very confused.

So, as you may have guessed, first impressions are very straight up gueuze like character – horse blanket aroma, dry white wine and tart grape character. Ya know, good, but I could just have bought myself a gueuze if I had wanted that. Still, even like this is has the super dry, drinkable Cantillon character and what I used to find mouth puckering level sourness back in the day. Now years later it is just a pleasant sour kick that has become an old friend.

Over time the rhubarb character came out – that recognisable tart style in the middle, then leading out into the earthy style in the finish. It turns out that, contrary to what I first thought, it actually is fairly present – it just complements the gueuze so well that it takes a bit of time to separate them. When you do thought it is like a magic eye picture image popping out – this just delicious rhubarb character mixed with the white wine dry character.

There is a bit more fruit play noticeable now as well – the tartness has a gooseberry and elderberry character at the edge. As a result the tartness already there from the grapes is pushed up a notch, but again there is that earthy rhubarb character in the finish that helps ground it.

So, despite my initial doubts, this does the rhubarb justice – a very competent lambic that, however, is slightly lacking in range compared to some other Cantillons as the base and the rhubarb are so close in character. Not their best but a solid contender and a solid Cantillion is still a hell of a beer by any standard.

Background: So, I grabbed this at the Moor Taphouse on Zwanze day – the day Cantillon releases a new, unique beer to a few pubs around the world. Of which the tap-house was one, I didn’t do notes on Zwanze as I was being *shudder* social, but it was very nice. Anyway, they had a good range of Cantillon in bottles as well so I grabbed a couple to bring back. This is one of them. Natch. Otherwise that whole story would have been pointless. This is a lambic made with rhubarb. Long time readers may have noticed I am fascinated with rhubarb beers, even if their quality varies greatly. Speaking of varied quality I was very worried -on popping the cap off this as the cork below was soaked through and smelt of harsh vinegar, so I was worried the beer was off. Thankfully on removing the cork the beer within was fine. Whew. After failing to play Pixies – Bone machine during the Bone Machine beer review, I made up for it by putting the best of pixies while drinking this. The Pixies rule.

Kilchoman 2018 European Tour Bottling – Machir Bay Cask Strength (Islay Scottish Single Malt Whisky: 59.8% ABV)

Visual: Pale brackish grain. Slow thin streaks come from the spirit.

Nose: Thick. Peaty. Oily character. Light menthol and moss notes. Peppermint. Water adds dust balls and soot. Slight salt.

Body: Thick. Oily. Toffee and caramel. Thick peat. Oily charring. Oily chocolate. Oily peppermint cream. Water makes creamier. Salt touch. Honey. Sweet apricot. Sauternes wine. Sherry trifle.

Finish: Peppermint cream. Peat smoke. Light charring. Water adds dessert wine notes.

Conclusion: this is not what I expected, not at all. The extra abv seems to have utterly changed how the Machir Bay whisky expression comes across.

At normal abv strength this seemed slightly light back when I last tried it – very enjoyable and complex but gentle. This booms with oily thickness in feel, matched with huge honey to trifle sweetness. Everything feels like it is delivered in a oily fashion – oily peat, oily chocolate, oily charring, and now added to that is a completely new element -oily peppermint notes. This minty menthol to peppermint character is fresh yet creamy and adds both a sweetness and a slight natural mint leaves that I did not find in the standard expression. It makes it feel fresher, bigger and more greenery touched, adding to and massively changing the overall character.

This Islay character Kilchoman have become well known for is more subtle here than in a lot of their expressions. It is smokey, slightly salt touched, but the huge, thick oily and sweet character used here means that the sea breeze and peaty characteristics are less prominent that usual. Instead the apricot spirit note I have noticed at the back of Kilchomans before is now pushed to the forefront here in big dessert wine like flavours.

Oddly considering what makes this so different is what the extra abv brings to the game, this actually works better with water. Only a few drops are needed to bring out the best, so it is still a lot higher abv than the base expression, but those few drops make it smoother and really bring out the sherry trifle complexity from below the oily character.

Again the distillery does brilliantly – a sweet dessert wine meets Islay whisky that is rewarding on every level. Highly recommended.

Background: Second of the samples I was given by Independent Spirit for doing notes on, many thanks! They had done a Kilchoman tasting night I had to miss, but kindly let me try this – an exclusive bottling for the 2018 tour. It is a cask strength take on the Machir Bay which I was already a fan of. This was tried directly after the prior Kilchoman tasting, so I was still listening to the new Spektrmodule podcast.

Kilchoman: Loch Gorm 2018 (Islay Single Malt Whisky: 46% ABV)

Visual: Moderate gold colour with fast thick streaks coming from the spirit.

Nose: Smokey. Lightly salty. Sea breeze. Raisin loaf. Charcoal dust. Spicy. Turmeric. Seaweed. Water adds greenery and moss, plus a mix of rocks and salt.

Body: Sherried raisins. Smoke. Dried smoked beef. Paprika. Light custard sweetness. Drying alcohol. Water adds cherries, makes very smooth. Peaty. Light apricot.

Finish: Soot. Salt touch. Dried smoked beef. Overcooked streak. Malt loaf. Water makes beefier in a broth style. Malt chocolate and a red fruit touch.

Conclusion: This is both distinctly forceful Islay in its style, and yet somewhat restrained with great subtly being showed in the openings this provides. The sherry use isn’t overpowering, but instead interwoven throughout the whisky to add light extra spice, and a little extra sweet dark and red fruit character. It adds a gentle sweetness that smooths the edges of a solid Islay core.

So, lets talk about that solid Islay core then. It is restrained but still evocative of the sea breeze and wet salted rocks of Islay, showing sooty smoke and dried beef to overcooked steak meaty roughness. So, distinctive as an Islay but not leaning into the punching medicinal or peat assault of the more intense ends of the scale, just weighing in with a character that brings imagery of a seaweed laden rock pool and wild island character that the region espouses. It is very well done, layered and expressive.

Water brings out more subtleties from the spirit – cheekier red fruit, but more tellingly an apricot sweetness that seems to belong to the spirit itself rather than the sherry ageing. An odd element but one I have seen in the background of a couple of Kilchoman now. The Islay character is still the core, but the more restrained expression lets a surprising amount of lighter notes through to play.

This is very good indeed – as mentioned in the background, I had the choice between buying a bottle of this, or the port aged cask, and I really feel I should have bought this expression instead back then as this is very impressive.

Subtly understated, rewardingly solid – this is a Kilchoman that brings weight and range from the sherry but is not lost to it. Very highly recommended and my respect from this distillery is rising with every expression I try.

Background: This is the first of two samples I was given by Independent Spirit for doing notes on, many thanks! They had done a Kilchoman tasting night I had to miss, but kindly let me try this, a sherry aged take on the spirit. This came out at the same time as the port cask, and back then I decided to go with that expression over this one. Time to find out if that was the right choice. Warren Ellis had put out a new Spektrmodule podcast – a collection of ambient and haunting music, so I put it on while doing the notes.

Bone Machine: Green Machine (England: American Pale Ale: 5% ABV)

Visual: Pale yellow to brown clear body. Lots of small bubbled carbonation. Massive white loose bubbled head that leaves suds (The photo is after I let the head go down a bit if you can believe it)

Nose: Bitter hops. Pepper. Pine cones. Wheat. Zesty lime.

Body: Zesty lime. Mild gherkins. Milky main body. Peppery base. Tart pineapple. Greenery. Moderate bitter hop character. Melon.

Finish: Mild gherkin. Lime. Wheaty. Earthy hop bitterness. Brown bread. Melon. Resinous. Mild peanut butter late on.

Conclusion: Ok, this is indeed a “Green Machine” as the beer is named. I will give it an A++ for honesty in naming. From the tart end of the spectrum it comes in with lime, gherkin and such, to the more savoury end where it comes in with greenery amongst the hop oils – this is a very green tasting beer. It is very tingly feeling as well, calling to very fresh hops resulting in prickles of zesty flavour stabbing into your tongue.

The base has a dry touch and an attenuated feel but they’ve put a milkiness under that so it avoids the harsh, over dry character that some APAs run into. While that is good it does mean that the malt load feels slightly generic here – it relies on the hops to do the heavy lifting.

The hops do good work though. They bring moderate bitterness that then grows into quite the peppery and earthy bite. Against that is a nice tart pineapple set of notes that back the varied green notes mentioned before – it all results in something fresh and very zesty.

Oh, a quick digression at this point – pour this bloody carefully and give it a lot of time to settle. This thing froths up very easily and will fill the entire glass with head if you are not careful.

Overall this is fresh, has good bitterness, well used tart and green fruit flavours that leads out into heavy earthy and peppery bitterness by the end. It could do with a rework of the malt if they were to make it the complete package, but its still decent as is. A mouth tingling zesty take on an APA that will awaken your mouth.

Background: This was a bit of a whimsy pick up – I liked the look of the beer, the name brought the Pixies song Bone Machine to mind, and it was from a new brewery, so I grabbed a can. Actually, looking back, I totally should have put the Pixies on while drinking. Ah well, missed opportunity. Had put on Bad Rebellion – Stranger than Fiction instead as that band is an old favourite of mine. Something familiar and welcoming for drinking music. Anyway, another one grabbed from Independent Spirit.

Pilot: Buzz (Scotland: Saison: 11.4% ABV)

Visual: Pale hazy lemon juice colour. Lots of small bubbled carbonation and a small, white, bubbled head.

Nose: Dry mead. White wine. Dry honey. Pear drops. Grapes.

Body: Honey. Custard. Grapes. Peppery. Earthy notes. Pear cider. Light menthol.

Finish: Lightly earthy. Oats. Light honey. Grapes. Champagne. Wheat. Peppery. Muesli. Light peppermint. Raisins.

Conclusion: Ok, going in I wasn’t sure what this would show from its influences. Would it show the mead? The saison? Wine like character as this was described as an aim on the bottle? Turns out the decided to go with all of the above.

First impressions are very mead like, though rapidly become even more like the pure base honey than most meads, feeling and tasting of every element that makes up a thick, rich honey. This is backed by a custard sweetness to the body that makes for a smoother element than the thick honey. However here the base saison style seems miles away – lost below this sweet and heavy creation that you have here.

The wine like notes come next; A while wine dry aroma seeping into juicy grape notes in the main body before leading out with a slightly funky champagne style finish. The juicy, yet still matched by dryness acts as a much needed rounding to take the edge off the very honey sweet style that came up front.

The saison element is the last to show and the lightest. The oat and muesli cereal notes come out to add some wight, then there’s some light peppery and earthy notes that act more as a grounding than as a main character. Late on you get some darker fruit, raisin like notes which I have no idea where they came from, but again they add something to the otherwise very sweet beer. So, while I am enjoying this I must say don’t buy this if it is the saison side of things that attract you to it. There is a lot to recommend it but it, but not that side of things.

It feels mainly like mead meets white wine, sparkling like champagne. Also, this is definitely one to share – I made the mistake of soloing this and, delicious though it is, it kicked the shit out of me.

So, this is complex enough to be worthwhile, if not pushing the boundaries of how much range a beer can have. It instead wears its special ingredients on its sleeve, but adds enough that it doesn’t feel like it is using it as a crutch. So, a very good, very sweet mead/wine/beer thing. It isn’t one to have too often, it is too overpowering for that, but if you are a mead fan then this has enough mead style to be your thing, while enough beer to make it stand out. Definitely a worthwhile experiment.

Background: Another one from Independent Spirit, this is an imperial saison that is described as ”one of a series of experimental sharing beers designed to be treated like sparkling wines.” This particular one is made with woodland honey, which , as a mead fan caught my eye. I was silly enough to drink the entire bottle myself. It was very potent. Very, very potent. I’m not doing that again. Continued my attempt to put on albums I’d not heard for a while while drinking – Faithless: Sunday 8PM, though I will admit I prefer the very different single version of “God is a DJ” to the album version. Both are good though.

First Chop: Salford Red (England: Speciality Grain 4.6% ABV)

Visual: Dark caramel to red. Yellow-brown moderate bubbled head. Clear body.

Nose: Fresh cut wet grass. Pine cones. Malt chocolate. Fresh mint. Menthol. Peppermint. Oats.

Body: Very herbal. Sage. Mint. General greenery. Orange crème. Peppery.

Finish: Orange crème. Pepper. Rye crackers.

Conclusion: Ok, this is absolutely nothing like I expected. This is really, really herbal – minty notes, sage notes, fresh with a peppery spark. I have to admit I was expecting a hoppy amber ale, so that completely blind-sided me. Silly me, no?

Anyway, after I got over my shock I started recognising the more beer like elements under the greenery – soft malt chocolate notes and a creamy orange touch, as the beer warms they become more evident – nothing complex but closer to the expected amber ale notes in the malt style. By the end the sweet orange cream notes especially have risen to the challenge.

Still, that feels like a backing for the most part – a base for the high, herbal notes to dance upon. Does it work? Kind of. The favours are tasty, savoury and it tastes like something I would definitely enjoy if it was poured over some lump of lightly cooked meat on a dish. As something I am drinking in a glass? I will admit it is taking some time for me to get used to it.

I enjoy it, but in small doses. The herb notes last a looooong time after you have finished sipping and as of such I can’t say I was lining up to break open another one after I finished the can, but I did appreciate it while it was there.

Another one of those for the interesting rather than great pile, but that doesn’t stop it being interesting.

Background: Another one where I was unsure where to list this – beeradvocate calls it an Irish Red, ratebeer a speciality grain, from the can I was going to call it an amber ale. In the end the grain influence seemed the most notable element so I went with that. Odd, as the reason I picked this up from Independent Spirit was that I hadn’t had a good amber ale in the while. Oh well, will keep hunting for something that expresses that style well. Also this is Gluten Free for those that affects. Anyway, first encounter with First Chop, went old school With Foo Fighters – The Colour and The Shape while drinking. Picking out great albums I haven’t listened to for a while.

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