Tag Archive: 45-50% ABV


Càrn Mòr: Strictly Limited: Teaninich: 10 Year (Scottish Highland Single Malt Whisky: 10 Year: 46% abv)

Visual: Very pale clear gold.

Viscosity: Very slow, medium sized streaks.

Nose: Apples. Alcohol. Clean spirity character. Pears. Vanilla. Slightly floral. Slightly grassy. Water adds hay fields notes.

Body: Smooth texture but strong alcohol. Apples and pears. Pear drops. Slight fudge. Clean character. Soft pastry. Water makes much smoother, more fudge and lots more apple.

Finish: Pear drops. Vanilla. Very evident alcohol. Make spirit character. Water smooths out and adds apple pie.

Conclusion: This is basically what make spirit wants to be when it grows up. Ok, technically what make spirit wants to be when it grows up is all whisky ever but…. Ok technically as a non sapient entity make spirit doesn’t “want” anything. Just, ya know, run with me on this one.

Raw make spirit to young whisky is rough as fuck, but generally energetic as hell in the flavours with lots of green fruit notes and such. A few whiskies such as the Hakushu manage to keep the pear drop and apples notes as they age, but usually these green fruit notes just fade away to be replaced by heavier elements from the oak ageing.

Neat this is still a bit alcohol filled, but despite that feels smoother than that would indicate – and a wee bit of water deals with the fire very nicely. Then taken like that, all those youthful apple pie and pear drop notes are here, but now in a smooth, slightly fudge based whisky with a far more easy going character than the equivalent flavoured make spirit would ever give you.

So – while not one with the hugest range, you get all the loveliness and none of the harshness that makes this seem like the world’s smoothest make spirit in an older whisky. Not super complex, but super enjoyable to drink.

Background: Don’t see much Teaninich around, it is normally used in blends. We were given a sample of this after one of Independent Spirit‘s Rare Whisky Tasting Nights, and I remembered enjoying it – so a few weeks later I headed back and grabbed a bottle. Mainly hoping my drunken memories were not lying to me. This was bottled 2007 and is one of 725 bottles put together from two casks of whisky. Drunk while listening to more Two Steps From Hell. Yes I drank this just after Mythos. That beer was so bland I didn’t think it would interfere with doing notes much.

Douglas Laing: Timorous Beastie (Scottish Blended Malt Highland Whisky: 46.8% ABV)

Visual: Pale grain with greened edges.

Viscosity: Quite fast thick streaks.

Nose: Alcohol touch. Lime. Caramel. Orange crème. Hint of smoke. Dry raisins soaked in sherry. Water gives grain fields. Dry sherry. Red cherries.

Body: Slight beefy character. Slight alcohol air. Slight musty character. Malt chocolate. Raisins. Water adds light liquorice. Dry sherry. Light orange skin. Slightly vinous. Green grapes. Slightly waxy. Marzipan and almonds.

Finish: Dried beef. Slight raisins and fruitcake. Musty character. Water adds fruity red wine. Black cherry. More fruitcake and some Madeira cake. Slightly waxy. Slight sour grapes touch. Almonds. Light custard slices.

Conclusion: Ok, this is completely opposite to what I said in the “Big Peat” tasting, but this vatted malt is definitely better with water. Odd how these things work out.

Neat this is ok – it has a lot of evidence of dry sherry notes that show its oak ageing well. However despite that it is a bit closed – slightly dusty, musty and with some alcohol notes that – while not harsh – do seem to obscure the flavours a touch. Still not bad, but a sub optimal way of enjoying this whisky.

So, let’s add some water and concentrate on enjoying this the way it should be enjoyed! All hail the water! Now the sherry is definitely the core at the centre. Very evident, very fruitcake, raisins and cherry in the notes as you would expect. While not as awesome in this as the Sherry Cask 21 year Beastie, it is also far cheaper. Which does have a lot to say for it.

What I find very intriguing though is that this also has some of the odder edges that typified the 40 year old. Some of that unusual take on light tart gapes, some waxy texture to which it adds a similar, but distinct set of notes in a mix of light marzipan and almonds around the edges. All very light, lightly fresh notes around the sherried core. While they are fresher notes the intrinsically very dry sherry character of the core is what really shines through.

This is good – not quite enough to be called great – but good. A lot of depth and room for water, just not quite distinct enough to stand out. However a very solid, above average whisky.

Background: Another whisky I have run into a few times before – tried this at both an independent Spirit and a Hideout tasting over the years – neither time with my notebook with me. I also got to try the excellent 21 year Sherry Cask Timorous Beastie, and the 40 year at another of Independent Spirit‘s tasting. So, quite a history. Anyway, the self same Independent Spirit kindly provided this sample for me to do some notes on. Much appreciated. Anyway this was drunk while listening to Hate In The Box again – this time the “Under The Ice” album.

Douglas Laing: Big Peat (Islay Blended Malt: No age statement: 46% ABV)

Visual: Very pale grain touch and with hint of brackish green.

Viscosity: Very slow thin puckering.

Nose: Lightly medicinal but clean. Salt and moss. Light alcohol air. Peat smoke. Water makes slightly harsher medicinal but cleaner alcohol with more moss.

Body: Beef. Vanilla and toffee. Light chocolate to praline notes. Salt. Crushed nuts. Peat. Light alcohol air. Water makes smooth – caramel and fudge notes. More water makes slight golden syrup.

Finish: Peat smoke. Smoked beef slices. Light cherries. Chocolate. Salt. Lightly medicinal. Nutty. Water makes more beefy and peaty.

Conclusion: The odd thing I find with vatted malts is that, unlike single malts or standard blended whisky, they often can work best without water. It is a miracle! I guess since they have more room to design the exact nature of the whisky it may be easier to get just the balance they want.

Anyway, that is to say, this is a good whisky with water, but best tried neat.

This is, well – not a simple whisky, but a fairly straightforward whisky if you get the difference. It seems very clean, but despite that a typical Islay style on the aroma. Not heavily done, smooth as vatted malts often are, but balances the peat, salt and medicinal notes.

The body is the biggest difference from an Islay single malt – it is very sweet for an Islay. Most Islay have some sweetness, but this has a thicker toffee, caramel or even fudge character depending on the level of water used, and behind that some chocolate notes mixed in there. A much more solid base in the sweetness. From that the peat, beef smoke and salt that the Island is famous for seem much more well contrasted and a smoother experience because of that.

So, why do I say it should be drunk with no water? Well, without water it feels more intense and – despite the alcohol being slightly noticeable – it still seems less harsh in the medicinal notes that with a little water. Now, if you add a lot of water, rather than a little water, then it gains the caramel character and becomes very smooth indeed in all things, however that comes at the cost of a lot of what you came here for – the peat. So, yep, without water is the way for me.

Now, on that note, for something call Big Peat it is, well, moderate peat on the Islay scale. So, not one in you want it super intense and peaty. However as a smooth, balanced, sweet and peaty whisky it is very good. So, not as super intense as the name suggests but that does not make it bad in any way at all.

Background: Had a few run ins with this one, first at a tasting session at Independent Spirit, then a Douglas Laing tasting at The Hideout. I never had my tasting note kit on me though,I was going for more social nights out at the time. So now, finally I get to do my notes as Independent Spirit kindly donated a measure of it for doing some notes on. Many thanks. This is an Islay vatted malt made with Ardbeg, Caol Ila, Bowmore and the closed distillery Port Ellen whisky! It was drunk while listening to some Meshuggah – hard music for heavy peat. Also drunk after watching some new Doctor Who, so in a generally good frame of mind. Also, because we are childish, at the first tasting note we were amused by the idea of having some of Big Peat in our mouth. Also we were drinking, which may explain it. Also that works better when said rather than written down.

Talisker: Storm (Scottish Island Single Malt Whisky: No age: 45.8% ABV)

Visual: Deep gold.

Viscosity: Medium streaks.

Nose: Tarry peat smoke. Dried beef slices. Honey. Peppery. Noticeable alcohol. Sulphur. Charred oak. Cigarette ash. Water adds more smoke, salty rocks and caramel. Slightly floral.

Body: Smooth – caramel and custard. Alcohol if held. Tarry. Dried beef slices. Red cherries. Water makes more caramel and more tarry notes. No alcohol evident now. Peppery. Even more water increases the caramel.

Finish: Bready. Peaty. Some moss. Malt chocolate. Red cherries. Dry. Water adds salt, charring and mild chocolate cake. Fudge. Peppery.

Conclusion: Quick summary – with no water, meh this is ok. With water – oh yeah, this is what I am looking for. Either way, the aroma tells you exactly what is coming.

The aroma is tarry, peaty and evident from way across from the glass. I could pickup the first notes while still doing the photo shots at the start. Lots of thick notes here, but without the harsh or medicinal notes that an Islay would have in a similar whisky.

Neat it is fairly smooth – if held too long alcohol does develop, but generally nothing too heavy. However when neat the flavours doesn’t hold half the weight that the aroma promises – it is generally more dominated by the smoother caramel notes. There is some rounding – some dried beef slices and interesting cherry notes, but really lacking the tarry thickness of the aroma.

As I have been indicating at the start, water really does the job here. The alcohol is all smoothed away – a slight island salty and rocky character gets added to the smooth caramel base. More importantly the bigger notes promised come out – peppery, thick, tarry. It is still smooth bodied but now with a weight of flavour which then leads out into a chocolate and fudge finish that is matched by peat and salt.

It feels like it takes all the benefits of a harsh Islay, strips the harshness and adds it to the traditional island Talisker complexity.

Another stormer (ha-ha) of a whisky from Talisker.

Background: The final of a pack of three Talisker miniatures grabbed from Independent Spirit. This one is described as a more intense flavours take on the standard Talisker. Which sounds good by me. I was a bit nervous as I know either Storm, or Dark Storm has a really bad reputation. But, since I couldn’t remember which I tried to not let that influence me. This was drunk while listening to Ulver: The Assassination of Julius Caesar again. Still getting used to the very different nature of it, but good background drinking music.


Talisker: Skye (Scottish Island Single Malt Whisky: No Age: 45.8% ABV

Visual: Deep bronzed apricot.

Viscosity: Mix of slow and fast medium sized streaks.

Nose: Salt. Wet rocks. Smoke. Seaweed and rich caramelised brown sugar. Crumpets. Black liquorice. Water makes slight golden syrup backing and treacle.

Body: Smooth. Vanilla and soft lime. Rocks. Some alcohol character. Brown sugar. Light peaty and meaty character. Slight vanilla custard. Water makes buttery and smooth. Apricot. White chocolate.

Finish: Brown sugar. Crumpets. Slight chalk. Slight charring. White bread. Cooked pork. Vanilla custard. Water makes buttery with a mix of white chocolate and golden syrup. Tinned tropical fruits and toasted teacakes.

Conclusion: For all this does have an alcohol touch to it, this is a very smooth whisky – one that progresses from gentle sweet elements to entice you in, into the more recognisable, robust Talisker character.

It holds the gentle peat warmth, the slight salt and the gentle not-Islay island coastal character of a standard Talisker, and rides out into vanilla custard and brown sugar as the sweet base develops. This is not too unexpected – while this is less forceful than the 10 year old, it still plays in a familiar ball park.

What stands out here is the gentle bready character to the whole thing – from crusty white bread to crumpets – all touched with buttery sweetness – it gives both a gentle grip and an extra smoothness in the combination. The butteryness especially feels thick – slightly oily – full natural butter feeling with the flavour rather than cheap supermarket stuff.

Water soothes the alcohol touches it had when neat, and brings out some sweet aprictots, but the general gist of the thing remains the same.

Overall a very impressive dram that captures both the expressive island character. And a slightly more gentle sipping whisky, balanced by toasted teacake top and bottom.

A gentle yet complex and toasted dram. Very nice, very easily drinkable – very much up my street.

Background: So, after the uber whisky night I felt like more whisky a day or so later. So, I remembered I had a pack of miniature Taliskers I had grabbed from Independent Spirit a few weeks before. Time to break them out. This one is aged in a mix of refill and toasted American oak casks – apparently to give a bit smoother character. This was drunk while listening to some of the haunting Ulver tunes on the atgclvlsscap album. Very good background, yet atmospheric music for a good whisky.

Highland Park: Fire Edition (Scotland Island Single Malt Whisky: 15 Year: 45.2% ABV)

Visual: Clear gold.

Viscosity: Moderate speed and thickness streaks.

Nose: Dry rum and brandy cream. Slight smoke. Moss. Thick aroma. Light oak. Butter. Water adds some blueberries.

Body: Toffee. Light caramel. Light treacle. Strawberry. Alcohol is noticeable. Buttered crumpets. Water brings out sweet butter. More strawberry. Fudge. Vanilla and brambles.

Finish: Alcohol air. Toast. Light charring. Red berries. Toasted teacakes. Butter. Smoke. Water brings more butter and red berries. Blueberry.

Conclusion: This is very bready indeed – like a mix of toast to toasted teacakes. Really solid, and packed through with red fruit. It is very interesting examining this one immediately after the Springbank 25 year – they both wear their port influence proudly. This is more solid, and because of that is more immediately appreciable as a whisky. However because of that it also doesn’t wear quite the same range of flavour at the tail end of its life. By the way that isn’t intended as a harsh criticism – more an examination of the trade off you get with whisky. It is very nice, with subtle vanilla sweetness matched with lightly tart red and dark berries.

It is a full on, rich berry expression – very much pushing the imagery of picking your own berries on a summer picnic kind of thing – the Highland Park base giving a solid texture and weight for the fruity experience to work from.

It feels full of brambles – and if this was just slightly jammy it would make a perfect image of full on jam covered toasted sandwiches. It isn’t so it doesn’t, but it is that kind of thing it is coming close to. As it is it is a fresher faced experience, with a solid whisky base. Without water it feels a bit more thick and musky – with water the freshness of the fruit opens up. So, Springbank 25 wins on complexity – but you cannot go far wrong with this for a solid experience. Again, maybe not worth the cost of a fancy bottle, but very much worth trying if you can.

Background: Yep, it is the fourth of the whiskies tried at the recent Independent Spirit Uber Whisky Tasting. This one, well I am a big Highland Park fan, but I can’t quite shake the impression that you are paying a lot for the bottle on this one. It is a pretty bottle I will admit. Not several hundred quid pretty, but pretty. Anyway, this is one of 28,000 bottles and is aged completely in port casks. Anyway, as always for these events – I was doing my notes in a social environment, with five strong whiskies back to back – my notes may be affected by other peoples thoughts, the drunkenness, and the other whisky I had. However, as before, for trying five expensive and rare whiskies like this I could hardly miss the chance to do some notes. Hope they are ok by you.

Springbank: 25 Year (Scottish Campbeltown Single Malt Whisky: 25 Year: 46% ABV)

Visual: Yellow gold.

Viscosity: Mix of fast and thin streaks with some puckering from the spirit.

Nose: Strawberry. Peach melba. Quince rakia. Smooth. Tinned tropical fruit. Mandarin orange. Marzipan. Water makes floral with lots of red berries and caramel.

Body: Smooth. Mandarin orange. Marzipan. Slightly light. Dry. Water adds custard and makes feel thicker. Dry raisins. Peach. Red berries and grapes. Spiced raisins. Light grassiness. Custard and sherry trifle.

Finish: Malt chocolate. Raisins. Smooth. Light menthol and orange juice. Light grapes. Dry rum. Water adds fudge, red berries, dry Thai seven spice and a light grassiness.

Conclusion: Old whisky tends to feel very smooth, but can also feel kind of light. This can be a shock to people who have not had aged whisky before and expect it to burst with flavour from the first moment. Generally I find you need to take your rime with it, let it fill the air inside your mouth and seep into the taste-buds – that is when they get going. Basically that is what you get with this.

The aroma is complex though – it is that which tells you what to look for in the body, what may come out if you give it time and attention. It bursts with all the levels of notes that you could hope for – rich red fruit, peach melba, orange notes. There is so much going on, and while the body doesn’t quite ever match this amazing aroma – if you ever find a whisky that does – then you will have one of the all time greats.

Therefore, initially as indicated before, the first sip may seem a bit of a let down. It is quite light, and may vanish fast leaving marzipan sweetness, and hints of light fruit. Be prepared though, take your time, and add no more than a drop of water and you will be ready ( lots of people avoided adding that drop of water- feeling it didn’t need it at this age. I found it actually made the whisky a tad thicker, and really opened it up. So I would recommend trying at least before you finish the whisky – but no more than a drop). You get dryer notes coming with that – light dry raisins and sherry spice – now it is good, not exceptional but good – spicy grounding below the fruit notes. Take your time and slowly much more red fruit develops – now you get most of the notes hinted by the aroma, the fruit burst, before that leads out into dry spiced rum and raisins in the finish.

Time again like the water, gives this more body somehow – slight stewed fruit notes, and a more solid, less shimmery light take to the marzipan. This really is one to take as long as you can with.

This is very different to the standard Springbank – there is only a light grassiness, most of that style is lost – and very little of the subtle smoke that the whisky usually trades on. Instead you get a lot more influence from the oak – it keeps hints of the Springbank style, but is drier, and much fruitier with spicy depth. Very nice – very subtle and complex. Not worth the 350 odd quid price, but very nice.

Background: As a huge Campbeltown, and by that I generally mean Springbank, fan (There are a total of three Distilleries there now) I was very much happy to hear that this was part of the Uber whisky tasting at Independent Spirit. This spirit was aged in Sherry and Bourbon casks, much as you would expect, then merged together in refill Port casks. Which is less expected, but very awesome. This is one of only 900 bottles releases in 2017. Again, I know how lucky I was to get to try this. Anyway, as always for these events – I was doing my notes in a social environment, with five strong whiskies back to back – my notes may be affected by other peoples thoughts, the drunkenness, and the other whisky I had. However, as before, for trying five expensive and rare whiskies like this I could hardly miss the chance to do some notes. Hope they are ok by you.

douglas-laing-old-particular-laphroaig-18-year

Douglas Laing: Old Particular: Laphroaig 18 Year (Scottish Islay Single Malt Whisky: 18 Year: 48.4% ABV)

Visual: Quite light grain gold.

Viscosity: Slow thin puckering.

Nose: Salted rocks. Peat. Medicinal. Dry. Ash. Salted lemon. Water adds ashtray style notes.

Body: Dry. Lemon juice. Vanilla. White grapes. Dry white wine. Salt. Peat. Water adds lemon cordial and wine gums. Slight oily and slight creamy character.

Finish: Lemon juice and dry salted lemons. Slight golden syrup. Cinder toffee. Water adds more lemon. Toffee. Even more water adds malt chocolate.

Conclusion: This is an odd mix of fresh squeezed lemon and dry salted lemons, all mixed up with a medicinal Laphroaig character. It is less harsh than the similar medicinal notes in a younger Laphroaig, but it still shows some of that pure salt behind the more mellow salted lemon character.

Nice as this is it doesn’t have the booming depth or intensity of the Quarter Cask – instead it makes a fresher, and somehow refreshing, yet intense character. The spirit is smooth – showing surprisingly little alcohol character and with that gives a show of an oily base and a slight creamy character that doesn’t seem to come out in other expressions I have tried. With water it becomes more creamy and slightly dessert like making it almost a medicinal lemon meringue of the Islay world. Another case of words I never thought I would type. I know the idea sounds horrible. It is not. This is actually pretty darn nice.

This is a strange expression – the lemon character reminds me of the unpopular Laphroaig Select – an ok whisky but one I tend to refer to as the lemonade of the Laphroaig world due to its lighter character and lack of a lot of what makes Laphroaig recognisable. This however does not sacrifice its fuller character as it brings in the smoothness and lemon flavours, making it far better than that weaker attempt. In fact this lays in the same area as the blended malt Kiln Embers – which is both a complement – as that is a very nice whisky – and a problem, as that was far cheaper than this expression. This is slightly better than Kiln Embers, but only just and for that slight bit extra it costs a lot more cash. So, depending on your cash flow, make your choice. Had as I did, I enjoyed it, but for grabbing a bottle – Kiln Embers is the one I would return to if you can still find it.

Background: One of 317 bottles this is a rare independent bottling, single cask Laphroaig expression and the final of the five whiskies had at the uber whisky tasting night at Independent Spirit. I am a huge Laphroaig fan, and you don’t see many bottlings of these guys so was looking forwards to this. My photo skills were pretty much gone by the time I took a photo of this glass – sorry – I blame alcohol. As before due to the social environ and number of whiskies tried at the event my notes may be less comprehensible than normal – I try my best.

timorous-beastie-21-year-sherry-edition

Douglas Laing: Timorous Beastie: 21 Year Sherry Edition (Scottish Blended Malt Whisky: 21 Year: 46.8% ABV)

Visual: Dark gold.

Viscosity: Very slow thick streaks.

Nose: Strawberry yogurt. Blackcurrant. Moderate oak. Vanilla. Mince pies. Dry. Water adds dried apricot and stewed fruit notes. Treacle. Oily character. Later you get red wine, port and more blackcurrant.

Body: Strawberry. Lots of sherry. Dried spice. Thai 7 spice jars. Dry. Sultanas. Water makes sweeter and spice raisins.

Finish: Blueberry. Mince pies. Dry. Vanilla. Sultanas. Thai 7 spice. Water makes much more spicy. Slight marzipan. Red wine.

Conclusion: This is very sherried, emphasising the drier end of the spectrum as well. It seems sweeter on the nose than it actually turns out to be – on the aroma it promises almost strawberry yogurt kind of notes. However this sweetness doesn’t really penetrate the body. Instead you get darker fruit, mince pies, Christmas spices and dry wine – it gives quite the intense but not harsh character.

There are some light sweet notes – some vanilla, and some parts of the blueberry are sweet, but these elements are rounding ones, not the notes emphasised.

It is nice enough like that – a bit one note but I was enjoying it – water however brings out a slight stewed fruitiness that gives it that tiny hint extra sweetness it needs. Now it is very rewarding, balancing and giving a huge range of flavour within the sherry style.

Then if you give it just a bit of time it rewards you yet again – giving much more red wine and dark fruits amongst the suet mince pie dryness. It is a brilliant example of sherry work here, emphasising it to heavy degree without become so overpowered by it that it becomes one note and dull which can be a flaw on heavily sherried whisky.

It is just fruity enough to let that re-emphasise the dry spiciness. Very nice and complex. I heartily approve. As a vinous, fruity, drying and sherried whisky in equal measure this is a big one I have no hesitation in recommending if you can afford it.

Background: So, Independent Spirit did another one of their Uber whisky tastings – their last one was the first of their tastings I went to and was sensational, so of course I jumped on this one. This is the first of five whiskies had that night. As it was a social event, and due to having more whisky back to back than I normally do for notes these may be slightly shorter and more scattered notes that usual. I did my best for you all though. Kicked off big with a 21 year blended malt. Don’t think I have ever tried standard Timorous Beastie – however its existence led to me winning a pub quiz once as the image of the mouse on the front meant that I knew what animal the term refers to. See? Drinking is good for knowledge.

ailsa-bay-eponymous-bottling

Ailsa Bay – Eponymous bottling (Scottish Lowland Single Malt Whisky: 48.9% ABV)

Visual: Clear yellowed gold.

Viscosity: Fast thick streaks.

Nose: Big smoke. Chinese stir fry vegetables. Moss. Salted rocks. Vanilla. Peppermint. Water cleans out the vegetable notes.

Body: Vanilla. Smoke. Light fudge. Salt. Slightly medicinal. Water smooths. More vanilla. Slight lime. Slight bready character. Malt chocolate.

Finish: Peat. Malt chocolate. Light salt. Vanilla. Slight greenery. Water adds honey sweetness. More malt chocolate to choc orange. Quite drying. Slight Chinese stir fry vegetables.

Conclusion: This is another whisky that I am glad I gave a while to open up before doing notes. When I first broke this open about a week ago, it seemed very dominated by a stir fry vegetable character behind the smoke. A very bad look for nearly any whisky. Anyway, these days where I can I give the whisky a week or so before I do notes, time for the vapours to roam the now less than full bottle. It often helps, so, we now try the whisky in that state.

This is still very peat forward, drying and smokey with slightly medicinal and salted notes – though it is not overly tied to those last two concepts. Instead the main backing to the peat is a gentle, smooth toffee sweetness. Neat it still has a bit of the stir fry in the aroma, but that goes with water. With a lot of water that stir fry returns to linger in the finish- so it is a balancing act to find the sweet spot on this one.

Still, in the middle, with just enough water you get a nice balance of both worlds. You get the sweetness, the peat – a good intensity backed by a good sweetness. Despite the texture it is never easy drinking, but it is not due to any fire or harsh spirit notes – in fact it plays very smooth, and even enhances itself with some chocolate notes as the water comes in.

So, with water, does it have any problems? Well, a couple – a big one is the cost. For all the peat and sweetness it brings, and the impressive texture, it is still a young whisky. It lacks a certain complexity – I find the Ardmore does sweet and peat better and with more subtlety – or if you want the intense side, for this cost you can get Laphroaig Quarter Cask – which is a legend that shows how to really get the most out of small cask ageing.

This is a good show for a first release, though marred by those stir fry notes mentioned – but it does not match the complexity or quality you would expect for the price. There are much better, similar whiskies. I anticipate good things from this distillery, but unless you really must try the first release, I would hold out for a later, richer, expression.

Background: This was a Christmas gift from my parents – many thanks! This is a no age statement bottling, but the Ailsa Bay Distillery has been part of the Girvan distillery since 2007, so it with this being released in 2016 it would probably have a max age of about 8 years, and probably less. This highly peated whisky has been “Micro matured” by which I presume they mean aged in a smaller cask so there is more contact with the wood. The label lists this as having a pppm of 21 (peat raing) and sppm of 11 (google tells me this is the sweetness rating -not seen that before). Drunk while listening to Ulver – atgclvlsscap, a weird experimental mash up that gave a lovely haunting backdrop to the drinking.

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