Tag Archive: Highland


Brora: Silent Stills: 18 Year (Scotland Highland Single Malt Whisky: 18 Year: 52.9% ABV)

Visual: Pale gold. Very slow puckering forms into thin streaks from the spirit.

Nose: Crushed rocks. Mild smoke and soot. Planed red wood. Lime hints. Barley. Water adds more rocks and grit. Soft apricot. More water keeps roughly the same.

Body: Light front. Lemon and vanilla. Subtle smoke. Slight salted rocks. Alcohol warms over time. Lemon cakes and lemon curd. Brown sugar. Honey. Water adds more honey. Apricot. More noticeable alcohol. Thick American pancakes. More water. Buttered crumpets. Raisins and plums.

Finish: Honey. Crushed rocks. Soot. Lime touch. Maple syrup touch. Brown sugar. Lemon cakes. Vanilla. Water adds American pancakes and malt chocolate. More water – crumpets. Raisins. Red wine.

Conclusion: Very different first impression on this to anything I expected. Gentle, definitely not showing the cask strength level alcohol, but with crushed rocks and smoke. The aroma especially seemed full of those wood and rock notes that made me a tad worried this would be a rough tasting experience. However first sip was very smooth, with light sweet notes and that rocky character a backing solid character as it should be.

Now I know Brora is generally peated, so was expecting a heavier influence from that than what I found here. Instead I get just a smoke wisp, present but gentle wafting though the sweeter main character of lemon cakes and vanilla. It very much shows the sweet Highland home here with honey and brown sugar weight to the spirit. It is well aged though, even neat the 50% abv is smoother than it has any right to be, only becoming noticeable if held on the tongue for a while. In fact it is so well balanced in alcohol weight that I was hesitant to add water to it for a while lest I ruin it.

I was then unsure again just after adding the water. The aroma became even grittier, and the body had a bit more alcohol evident. However with that it did open up to bring brighter fruit notes and an American style pancake feel. So, after a moment of examination I decided, maybe it had just started its journey of change? Maybe a touch more water was needed?

More water did settle the alcohol down again, and have a thick, bready, crumpet and thick pancake kind of feel, all backed by that understated smoke. Here I can wholeheartedly say that it is very good. Highland weight and sweetness, subtle smoke, slight citrus notes and so incredibly smooth for the abv. That is some aged cask strength spirit used well. No fancy unusual barrel ageing used here – it just lets the spirit itself show itself at the best with the oak adding everything it needs.

In fact, here in its final moments I find more sherry barrel like ageing notes coming out – dark fruit and red wine adding yet another layer to this. It really made wish I had a bit more of this so I could explore where it was going – hints of much more dark fruit to come. Unfortunately I cannot afford more, even if I could find it.

So, on that, is it worth the high very cost? Probably not. Probably nothing is worth the cost that super rare whisky like Brora goes for now. However it is very good indeed. Wonderful in fact. If this went for the kind of cost a premium 18 year old whisky would go for from a living distillery, even the high end of that, I would recommend it without hesitation. One of the best Highland whiskies I have had – so smooth, so complex and the smoke wisp just adds that extra touch.

Downsides? The aroma really does not show it at its best. Everything else is so very good. Just, ya know, damn, that steep cost.

Background: Two thousand tasting notes! WOO! I made it with my liver vaguely intact! I had been keeping this one back for a while, knowing that full bottles of Brora – a distillery that has been dead since 1983 – go for insane amounts of money – part rarity, part the 30 year plus age any new releases are now. So, when I found a miniature at The Whisky Exchange at 18 years, and so vaguely within my price range, I grabbed it and held on for the right moment. This seemed just right for a big two thousand celebration. Previously called Clynelish, the distillery was renamed to Brora when the newly referred to Clynelish distillery came online in 1968. As far as I am aware it is a lightly peated whisky. It is worth noting there is talk of reopening Brora – I don’t know how much of the original stills are still intact so have no idea if the new spirit will be similar, or just cashing in on the name. This mini is bottle 33 of 294, and was distilled n 1983 and bottled in 2001 so I consider it very lucky that it was still around to be grabbed. Wanted some beautiful music to go with the big 2K tasting note so went with the Ulver: Shadow Of The Sun album. Still a haunting masterpiece.

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Glencadam 21 Year (Scottish Highland Single Malt Whisky: 21 Year: 46% ABV)

Visual: Pale gold.

Nose: Cherries. Brandy cream. Sherry soaked sponge to trifle. Pencil shavings. Custard slices. Water makes little difference.

Body: Thick. Honey. Raisins. Very clear sherry. Soft lime. Sweet lemon. Slight alcohol. Oak. Water brings more raisins. Vanilla fudge. Red grapes.

Finish: Raisins. Creamy lime. Dry oak. Malt chocolate. Fruitcake. Water adds red wine. Dry sherry. Dry spice. White grapes. Mildly waxy.

Conclusion: This is very sherry dominated. Very red wine heavy. Very fruitcake solid body. So the first thing to get out of that way, does that idea appeal to you? If not that this is not the one for you.

Still with me? Cool, let’s dig deeper then. Initial impressions is very sherry trifle, and wine soaked fruitcake. Very much heavy, sweet desserts that are appropriate to this winter season. Surprisingly, even at a nice 21 years of age, this still has a touch of alcohol character present. Nothing too bad, probably just a sign of the touch higher than normal 46% abv. Thankfully a touch of water clears that up nicely without hurting any other element of the whisky.

It is a tad simple without the water. It is nice, and big in the flavour but slightly closed. Water helps round it out as dry spice grows out adding more savoury elements around the sweetness. The sweetness also spread out with red wine and a mix of red and white grapes that provide extra elements over the stodgy fruitcake middle.

Now admittedly none of this is new to the whisky world, nor unusual. The base whisky provides the weight and a mildly waxy feel in the finish. But generally most of the character here seems to come from the sherry ageing.

It is very enjoyable, very solid, with Highland weight meeting sherried flavour. Nothing is unsual, but no complaints, and no off notes evident from the spirit – so a good job if not stand out.

Background: Only tried Glencadam once before, that was initially weak but had my attention by the end. So when I saw an aged 21 year version in minis at Independent Spirit I thought it would be nice to give it a go. Not much else to add on this one – Had just grabbed Miracle of Sound’s “Level 9” album from bandcamp – a very varied in style bunch of video game themed songs – so put that on while drinking. Goes from light pop punk to moody epics, so at least one song would probably match the whisky!

Loch Lomond: 18 Year (Scottish Highland Single Malt Whisky: 18 Year: 46% ABV)

Visual: Bronzed gold. Slow, thick streaks from the spirit.

Nose: Alcohol air. Dark fruit. Blueberry. Twigs. Vanilla. Raisins. Caramelised brown sugar. Water adds menthol and gooseberries.

Body: Very smooth. Blueberries. Raisins. Light alcohol taste. Small red berries. Moss. Dried teabags and tannins. Water adds apricot syrup. Oak. Custard slices.

Finish: Moss. Charred oak. Light alcohol air. Malt chocolate. Slight sour toffee. Teabags. Water adds fudge. Tart grapes. Lightly metallic.

Conclusion: This feels like it is aiming to take Loch Lomond on the same sort of spirit journey that the more prestigious distilleries such as Glenfiddich and Glenlivet do with their 18 years. You know, the ones where they emphasise the dark fruit a bit more, make the main whisky very smooth, that kind of thing. Now, those famous whiskies aren’t perfect in my opinion, but still this one feels like it isn’t really reaching their level.

Now let’s look at what it does have. It has the dark fruit – in raisins, blueberries and touches of slightly tarter small red berries. That aspect works. It is pretty smooth as well, especially with water, so not too bad on that side either. It comes within spitting distance of what it is trying to do is what I am saying.

However there is, well, a kind of alcohol air, like cheaper grain spirit, along with heavy teabag like tannin notes that would have worked in a heavier whisky but felt odd in this smoother fruit fest. Water does help with that, bringing out a smoother flavour, but still with an odd, slightly closed element that is half way between tart grapes and slight metallic notes in the finish.

It feels close to what it should be – the flavours are big all the way into the finish, which is good, it is smooth in the body which is good, but tainted by those off notes that makes it feel like an also ran of the whisky world.

Ok, but far behind the competition.

Background: This is another one grabbed from The Whisky Shop in town, they had a huge range of Loch Lomond in minis so I decided to grab a bit older one to see how it goes. Not been a huge Loch Lomond fan up to now, but some whiskies only really shine in their later years. Put on The Eels: End Times while drinking- only just grabbed it. I always like The Eels, they always feel happy in a sad way, or sad in a happy way, and says that is ok either way. Which is nice.

Loch Lomond: Inchmurrin: Madeira Wood Finish (Scottish Highland Single Malt Whisky: 46% ABV)

Visual: Bronzed gold. Fast thick streaks from the spirit.

Nose: Salty. Cooked fish skins. Hard sweets. Raisins. Sour red wine. Strong alcohol air. Light turpentine. Peppermint. Water adds menthol and cherries.

Body: Smooth. Oily. Cherries. Smoke. Salt. Shortbread. Vanilla. Lightly waxy. Water adds golden syrup. Brown sugar. Soft peat and dried beef. Apricot. Spicy raisins. Madeira cake.

Finish: Peppery. Light charring. Dry peat. Oily. Vanilla custard. Water – raisins. Smoke. Menthol. Madeira cake and salt.

Conclusion:This is not an Islay, I am aware of that before you all jump on me, however it does seem to be trying to pick up a lot of the Islay traits, so I will be referring to that region quite a lot here. I think it is as most not Islay/Island whiskies that use peat only take the peat element, and none of the rest of the Islay character. Which is cool, it creates a different experience. This however has a saltiness and an oily, fish skin character that actually brings to mind the less brutal and medicinal of the Islay range. This is especially true neat where it is a bit of a harsher edged thing.

Neat it has a touch of red wine in the character, and some cherry notes, all of which I presume are due to the odder Madeira barrel ageing, but I have to admit it doesn’t seem like how Madeira usually shows itself – in fact it is a tad sour red wine rather than the sweeter notes I would expect. This results in the neat whisky feeling like someone took a lighter Islay and added a bit of a heavier wine barrel ageing to it. It has what would be rougher notes if they were heavier and thicker, but are manageable as it – something like turpentine if it was heavier, but thankfully not so at the moment.

Now, when you add water to this it does two big things. First it brings out the more neutral natural sweetness and the fruitiness of the unpeated side of the whisky. Second it brings out the more traditional Madeira styling with fruity raisin sweetness. Both element involve sweetness yes, and fruit, yes I did already notice that.

Overall it is an ok bit of peat, an ok bit of base spirit and an ok bit of Madeira ageing. It is not a common combination of styles so I will say it has value for that, but each individual element has been done better elsewhere – it is only the combination that makes it stand out.

Still an Islay influenced Highland whisky in Madeira oak, something a bit different and ok as that.

Background: People who have been following these notes for a while will know I like getting the chance to try a lot of different whiskies, but often miniatures only have the more common expressions. Which means you have to buy a big bottle – yes I know, woe is me, but it still means you are taking a risk dropping money sight unseen. So when I saw a bunch of Loch Lomond, and their peated offshoot Inchmurrin at The Whisky Shop in Bath I decided to grab a few. This one is a Madeira finished expression, which I tend to be a fan of, though I don’t think I have tried many, if any peated whiskies with Madeira finishes. Should be interesting. I’d grabbed Ozzy Osbourne – Memoirs Of A Madman recently and was listening to that while drinking. I prefer the Black Sabbath stuff, but still some great tunes in there.

Aberfeldy: 12 Year (Scottish Highland Single Malt Whisky: 12 Year: 40% ABV)

Visual: Pale gold with fast streaks from the spirit.

Nose: Soft lime. Grain fields. Alcohol air. Soft toffee. Apples. Water lightens everything.

Body: Smooth. Quicksilver alcohol notes. Soft lime sorbet. Malt chocolate. Floral. Fudge. Water adds soft vanilla, more fudge and walnuts.

Finish: Nutty. Light charred oak. Malt chocolate air. Malt biscuits. Fudge. Water adds more nuts, bitter chocolate, honey and grain field air.

Conclusion:This feels like a kind of middle of the road Highland malt. Which is possibly appropriate considering it is predominantly used in the popular, but actually not bad Dewars blended whisky.

Now it being middle of the road is not exactly high praise, but neither is it a massive insult, it is just there is little to surprise you here. Initially the alcohol is a tad present, holding back some of the notes from showing themselves, but already you have a gentle but solid sweet backing of malt chocolate and toffee. An element that only becomes more gentle, yet also more obvious as water is added and the alcohol touch recedes.

What build upon this base is a floral air and a solid nutty character which is what gives it its main flavour – around that light green fruit notes work at the edges, especially when tried neat, but the nuttiness is what stays when ever other element has faded away.

It is slightly alcohol rough neat, and never really showy – it is offensive but shows the main highland characteristics solidly. It isn’t bad, but I cannot really recommend it as there are so very, very more interesting whiskies out there.

Background: I went to the Aberfeldy distillery back in my early whisky note taking days, quite a fun place, aimed at a more touristy front and concentrating more on its Dewars blended whisky than the single malt, but I did get to try a decent range of their whisky at a tasting there. Then I don’t think I have tried it again until now – after seeing it at The Star Inn I decided to give it another go. I have expanded my range massively since then so I wondered how it would hold up. Was nice to have a bit of shade and a spare moment to drink this as I had an otherwise busy day, so the break was welcome. The Star has a nice whisky selection – nothing too unusual, but a fair decent range, and some good cask ales. Think I may have to get back into the habit of sticking my head in every now and then to do notes.

Tullibardine: 225 Sauternes Finish (Scottish Highland Single Malt Whisky: 43% ABV)

Visual: Bright shining gold with fast, thick streaks coming from the spirit.

Nose: Oaken. Honey. Dried apricot. Vanilla. Sulphur touch. Lightly waxy. Water adds pears to the mix.

Body: Smooth and thick. Honey. Oak. Sulphur touch. Waxy touch. Golden syrup. Water adds custard, pears, apricot and cake sponge. Cherries and chocolate fudge.

Finish: Waxy. Cherries. Dried apricot. Honey and golden syrup. Lots of oak. Sulphur. Water adds custard slices. Pears. Light fresh cut apples. Still a waxy sheen. Chocolate toffee.

Conclusion: From what I remember from visiting the distillery, Tullibardine has a lot of experience with unusual cask finishes. Ok course back then it was to help eke out the value from their remaining supply of the odd distilleries spirit while they got their new distillery up and running. Still, experience is experience, no matter how you got it.

Neat this thing is pretty oaken – nice enough but a bit too woody for my taste. Though there are already a lot of good things going for it in the feel. It is thick, smooth but just slightly waxy – an element that gives, along with the wisp of sulphur, the imagery of candles that floats across the whisky. Even neat the sweetness from the Sauternes finish is shown with very honeyed notes – fairly simple but bright, thick and tongue coating.

Water give it what the whisky needs though and that is subtlety. The sweetness becomes gentle and breaks as if light encountering a prism, spreading into honey, custard and golden syrup against apricot notes that that work over the sweetness. Similarly more of the flavour from the base spirit seems to come out, though I will remind you that I have not encountered much from the distillery’s stock made since it reopened. Still, out from under the powerful cask finish seems to come pear and cut apple notes, along with a more recognisable general whisky feel that now back up the sweeter notes. The wax and sulphur notes lessen but still help hold some grip to the whisky.

Even with water this does pack a few rougher edges that feel like younger whisky spirit notes, but nothing that majorly hurts it, it just lacks polish.

Overall this uses the finish very well for a dessert feeling whisky. It does have a few rough edges, especially neat, but with a dash of water it is a sweet and enjoyable dram.

Background: Tullibardine is distillery I first encountered as part of a road trip around Scotland’s whisky distilleries many a year ago. It is a far cry from the usual rustic imagery, on an industrial area in the midst of grey concrete. It hadn’t been open long at that point, having been recently reopened after being mothballed back in 1995 so they were selling the remnants of the whisky from its previous existence. Since then I think I have encountered their new spirit once before, but without my notebook to hand, so this is my first set of notes for the re-opened distilleries whisky. This was given to me at a whisky night I hosted a few weeks back – it has become a tradition at our whisky nights that everyone else chips in to buy a bottle for the host. Which is nice. Many thanks. Originally they had planned to grab a different bottling, but the supermarket was out of stock, so bumped them up to this one – finished in Sauternes sweet wine casks – for free. Which was also nice. Put on Frank Carter and the Rattlesnakes – Modern Ruin for this one. Seems a gentler album that their first, may take a bit of time to get used to that, but still solid.


Douglas Laing: Timorous Beastie: 18 Year (Scottish Highland Blended Whisky: 18 Year: 46.8% ABV)

Visual: Clear pale yellow.

Viscosity: Fast thick streaks.

Nose: Madeira cake and plum pudding. Old sweet shops. Pear drops. Slight alcohol. Hard sugar coating. Water makes similar but with varnish like notes.

Body: Light front, with warming alcohol that builds in intensity quickly. Vanilla toffee and vanilla custard. Oak. Madeira. Lime jelly. Raisins. Water makes more caramel like, and adds red wine. Pears and pear drops.

Finish: Oak notes. Alcohol air. Madeira cake. Raspberry yogurt bits. Water adds sweet red wine. Raisins. Pear drops and slight varnish notes.

Conclusion: As someone who has really enjoyed the various Timorous Beastie takes I have tried recently, I am kind of split on this one. Some of this may be because of the first impressions you get on sipping. The age seems to give it a tad overly light front, but then a stronger than normal alcohol burn quickly rises to overwhelm it. So, when taken neat you only really get hints of the flavours that it may carry, too much burn, and no pay off for that burn. You get the idea there is a tale going on below that, but nowhere near the full story. You need to use some water to get some decent play from this.

So, onto trying with water then. Water does help, and there is more play from the flavours here with more sherried notes coming out in an understated but rewarding way. It matches red wine and raisin notes that feel sherry influenced to pear drop flavours that remind me of younger, cleaner spirit. However even with water it feels a tad rough, with a slight varnish like touch. Normally I can dig rough edges, as long as they give extra layers of complexity. This has a decent range of complexity, with fresh lime jelly sweetness and Madeira mixing, but doesn’t create something special that feels like a reward for the need to use the slight varnish like notes.

Now it has promise, but it seems either too light, or too varnish touched, depending on when you have it – it feels like the promise of this is delivered in their far superior, and excellent dram that is the 21 year sherry cask version, for which this feels like an inadequate replacement for that one’s vanishing.

So, this has lots of good notes – a nice mix of spirit influences, and nice use of sherry cask ageing, but has a few too many off notes to be great – odd, especially for a blended malt where usually they usually mix things to within an inch of the most smooth it can be.

Ok, but far from top bombing.

Background: This was grabbed in a mini from Independent Spirit – as before they have a bunch of rarer limited edition minis of the blended whisky range. I’ve been enjoying them a lot so far, so grabbed this one to give a try. I drank this post watching the piece of shit that is the Netflix adaptation of Death Notes, and I have to admit I think I was a bit distracted so these aren’t my best notes. Tried to tidy them up on write up before posting, hope they are ok.

Douglas Laing: Provenance Single Cask: Glengoyne 8 Year( Scottish Highland Single Malt Whisky: 8 Year: 46% ABV)

Visual: Very pale clear spirit with a light brackish hue to it.

Viscosity: Medium speed thin streaks.

Nose: Moss. Moderate alcohol. Citrus – fresh lime. Very fresh. Mojitos. Crushed leaves. Light menthol. Gin. Water adds vanilla pods.

Body: Warming. Smooth feel despite the alcohol. Very viscous. Soft toffee. Water makes creamier. Kiwi, grapes and vanilla. Apples. Jelly. Raisins.

Finish: Light charring. Malt drinks. Lots of oak. Greenery. Alcohol air. Water makes creamier. Brown bread. Fudge. More water adds raisins.

Conclusion: This really shows the energy of its relative youth. While not burning in its alcohol, it is still that very viscous styling of strong alcohol with a very melting jelly like feel to the centre and very familiar alcohol warmth with it.

Flavour wise it is also very youthful – lots of full on green fruit akin to a young spirit. Neat it is fairly raw, but water soothes that, turning it into a sweeter, creamier version of itself; In this form it seems to call slightly to Speyside character rather than its Highland home However underneath that is the more familiar sweet highland in a fudge and malt drink styled base. It is more gentle that normal, more a backing note than its more mature cousins.

In oddities that it has, there is a slight crushed leaves amongst the citrus notes – which makes if feel slightly mojitos like in its expression top and tail. Which is unexpected. A cocktail experience in a single malt.

It is a raw green fruit thing neat, becoming more recognisably highland sweet the more water you add. While I would say it is too simple neat, water gives an impressive depth for its youth with raisins and dark fruit coming out as a balance to the brighter green fruit. It is a very different experience from neat to water laden, going from super fresh to subtly dried fruit.

Not excellent, but has a decent range with water so I can’t complain.

Background: Hip flask sized bottles of whisky, one of my favourite ways of trying a wider range of whisky without having to spend a fortune on full sized bottles. This one, grabbed from Independent Spirit, is a Glengoyne bottling – done without colouring or chill filtering. I’ve actually been to the Glengoyne distillery, back when I did a tour of distilleries in Scotland – very pretty and tucked away near a waterfall. This was drunk while listening to Anthrax – Amongst The Living – no particular reason, just good tunes.

Càrn Mòr: Strictly Limited: Teaninich: 10 Year (Scottish Highland Single Malt Whisky: 10 Year: 46% abv)

Visual: Very pale clear gold.

Viscosity: Very slow, medium sized streaks.

Nose: Apples. Alcohol. Clean spirity character. Pears. Vanilla. Slightly floral. Slightly grassy. Water adds hay fields notes.

Body: Smooth texture but strong alcohol. Apples and pears. Pear drops. Slight fudge. Clean character. Soft pastry. Water makes much smoother, more fudge and lots more apple.

Finish: Pear drops. Vanilla. Very evident alcohol. Make spirit character. Water smooths out and adds apple pie.

Conclusion: This is basically what make spirit wants to be when it grows up. Ok, technically what make spirit wants to be when it grows up is all whisky ever but…. Ok technically as a non sapient entity make spirit doesn’t “want” anything. Just, ya know, run with me on this one.

Raw make spirit to young whisky is rough as fuck, but generally energetic as hell in the flavours with lots of green fruit notes and such. A few whiskies such as the Hakushu manage to keep the pear drop and apples notes as they age, but usually these green fruit notes just fade away to be replaced by heavier elements from the oak ageing.

Neat this is still a bit alcohol filled, but despite that feels smoother than that would indicate – and a wee bit of water deals with the fire very nicely. Then taken like that, all those youthful apple pie and pear drop notes are here, but now in a smooth, slightly fudge based whisky with a far more easy going character than the equivalent flavoured make spirit would ever give you.

So – while not one with the hugest range, you get all the loveliness and none of the harshness that makes this seem like the world’s smoothest make spirit in an older whisky. Not super complex, but super enjoyable to drink.

Background: Don’t see much Teaninich around, it is normally used in blends. We were given a sample of this after one of Independent Spirit‘s Rare Whisky Tasting Nights, and I remembered enjoying it – so a few weeks later I headed back and grabbed a bottle. Mainly hoping my drunken memories were not lying to me. This was bottled 2007 and is one of 725 bottles put together from two casks of whisky. Drunk while listening to more Two Steps From Hell. Yes I drank this just after Mythos. That beer was so bland I didn’t think it would interfere with doing notes much.

Douglas Laing: Timorous Beastie (Scottish Blended Malt Highland Whisky: 46.8% ABV)

Visual: Pale grain with greened edges.

Viscosity: Quite fast thick streaks.

Nose: Alcohol touch. Lime. Caramel. Orange crème. Hint of smoke. Dry raisins soaked in sherry. Water gives grain fields. Dry sherry. Red cherries.

Body: Slight beefy character. Slight alcohol air. Slight musty character. Malt chocolate. Raisins. Water adds light liquorice. Dry sherry. Light orange skin. Slightly vinous. Green grapes. Slightly waxy. Marzipan and almonds.

Finish: Dried beef. Slight raisins and fruitcake. Musty character. Water adds fruity red wine. Black cherry. More fruitcake and some Madeira cake. Slightly waxy. Slight sour grapes touch. Almonds. Light custard slices.

Conclusion: Ok, this is completely opposite to what I said in the “Big Peat” tasting, but this vatted malt is definitely better with water. Odd how these things work out.

Neat this is ok – it has a lot of evidence of dry sherry notes that show its oak ageing well. However despite that it is a bit closed – slightly dusty, musty and with some alcohol notes that – while not harsh – do seem to obscure the flavours a touch. Still not bad, but a sub optimal way of enjoying this whisky.

So, let’s add some water and concentrate on enjoying this the way it should be enjoyed! All hail the water! Now the sherry is definitely the core at the centre. Very evident, very fruitcake, raisins and cherry in the notes as you would expect. While not as awesome in this as the Sherry Cask 21 year Beastie, it is also far cheaper. Which does have a lot to say for it.

What I find very intriguing though is that this also has some of the odder edges that typified the 40 year old. Some of that unusual take on light tart gapes, some waxy texture to which it adds a similar, but distinct set of notes in a mix of light marzipan and almonds around the edges. All very light, lightly fresh notes around the sherried core. While they are fresher notes the intrinsically very dry sherry character of the core is what really shines through.

This is good – not quite enough to be called great – but good. A lot of depth and room for water, just not quite distinct enough to stand out. However a very solid, above average whisky.

Background: Another whisky I have run into a few times before – tried this at both an independent Spirit and a Hideout tasting over the years – neither time with my notebook with me. I also got to try the excellent 21 year Sherry Cask Timorous Beastie, and the 40 year at another of Independent Spirit‘s tasting. So, quite a history. Anyway, the self same Independent Spirit kindly provided this sample for me to do some notes on. Much appreciated. Anyway this was drunk while listening to Hate In The Box again – this time the “Under The Ice” album.

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