Tag Archive: Islay


Kilchoman 2018 European Tour Bottling – Machir Bay Cask Strength (Islay Scottish Single Malt Whisky: 59.8% ABV)

Visual: Pale brackish grain. Slow thin streaks come from the spirit.

Nose: Thick. Peaty. Oily character. Light menthol and moss notes. Peppermint. Water adds dust balls and soot. Slight salt.

Body: Thick. Oily. Toffee and caramel. Thick peat. Oily charring. Oily chocolate. Oily peppermint cream. Water makes creamier. Salt touch. Honey. Sweet apricot. Sauternes wine. Sherry trifle.

Finish: Peppermint cream. Peat smoke. Light charring. Water adds dessert wine notes.

Conclusion: this is not what I expected, not at all. The extra abv seems to have utterly changed how the Machir Bay whisky expression comes across.

At normal abv strength this seemed slightly light back when I last tried it – very enjoyable and complex but gentle. This booms with oily thickness in feel, matched with huge honey to trifle sweetness. Everything feels like it is delivered in a oily fashion – oily peat, oily chocolate, oily charring, and now added to that is a completely new element -oily peppermint notes. This minty menthol to peppermint character is fresh yet creamy and adds both a sweetness and a slight natural mint leaves that I did not find in the standard expression. It makes it feel fresher, bigger and more greenery touched, adding to and massively changing the overall character.

This Islay character Kilchoman have become well known for is more subtle here than in a lot of their expressions. It is smokey, slightly salt touched, but the huge, thick oily and sweet character used here means that the sea breeze and peaty characteristics are less prominent that usual. Instead the apricot spirit note I have noticed at the back of Kilchomans before is now pushed to the forefront here in big dessert wine like flavours.

Oddly considering what makes this so different is what the extra abv brings to the game, this actually works better with water. Only a few drops are needed to bring out the best, so it is still a lot higher abv than the base expression, but those few drops make it smoother and really bring out the sherry trifle complexity from below the oily character.

Again the distillery does brilliantly – a sweet dessert wine meets Islay whisky that is rewarding on every level. Highly recommended.

Background: Second of the samples I was given by Independent Spirit for doing notes on, many thanks! They had done a Kilchoman tasting night I had to miss, but kindly let me try this – an exclusive bottling for the 2018 tour. It is a cask strength take on the Machir Bay which I was already a fan of. This was tried directly after the prior Kilchoman tasting, so I was still listening to the new Spektrmodule podcast.

Advertisements

Kilchoman: Loch Gorm 2018 (Islay Single Malt Whisky: 46% ABV)

Visual: Moderate gold colour with fast thick streaks coming from the spirit.

Nose: Smokey. Lightly salty. Sea breeze. Raisin loaf. Charcoal dust. Spicy. Turmeric. Seaweed. Water adds greenery and moss, plus a mix of rocks and salt.

Body: Sherried raisins. Smoke. Dried smoked beef. Paprika. Light custard sweetness. Drying alcohol. Water adds cherries, makes very smooth. Peaty. Light apricot.

Finish: Soot. Salt touch. Dried smoked beef. Overcooked streak. Malt loaf. Water makes beefier in a broth style. Malt chocolate and a red fruit touch.

Conclusion: This is both distinctly forceful Islay in its style, and yet somewhat restrained with great subtly being showed in the openings this provides. The sherry use isn’t overpowering, but instead interwoven throughout the whisky to add light extra spice, and a little extra sweet dark and red fruit character. It adds a gentle sweetness that smooths the edges of a solid Islay core.

So, lets talk about that solid Islay core then. It is restrained but still evocative of the sea breeze and wet salted rocks of Islay, showing sooty smoke and dried beef to overcooked steak meaty roughness. So, distinctive as an Islay but not leaning into the punching medicinal or peat assault of the more intense ends of the scale, just weighing in with a character that brings imagery of a seaweed laden rock pool and wild island character that the region espouses. It is very well done, layered and expressive.

Water brings out more subtleties from the spirit – cheekier red fruit, but more tellingly an apricot sweetness that seems to belong to the spirit itself rather than the sherry ageing. An odd element but one I have seen in the background of a couple of Kilchoman now. The Islay character is still the core, but the more restrained expression lets a surprising amount of lighter notes through to play.

This is very good indeed – as mentioned in the background, I had the choice between buying a bottle of this, or the port aged cask, and I really feel I should have bought this expression instead back then as this is very impressive.

Subtly understated, rewardingly solid – this is a Kilchoman that brings weight and range from the sherry but is not lost to it. Very highly recommended and my respect from this distillery is rising with every expression I try.

Background: This is the first of two samples I was given by Independent Spirit for doing notes on, many thanks! They had done a Kilchoman tasting night I had to miss, but kindly let me try this, a sherry aged take on the spirit. This came out at the same time as the port cask, and back then I decided to go with that expression over this one. Time to find out if that was the right choice. Warren Ellis had put out a new Spektrmodule podcast – a collection of ambient and haunting music, so I put it on while doing the notes.

Douglas Laing: Provenance Single Cask: Bunnahabhain 10 Year (Scottish Islay Single Malt Single Cask Whisky: 10 year: 46% ABV)

Visual: Clear, slightly greened brackish hue. Very light coloured.

Nose: Thick, salty, slightly viscous oily notes. Brown bread. Fish oils. Light broth. Wet rocks. Greenery. Water makes more salty, smoother, more rock notes.

Body: Honey. Rocks. Salt. Alcohol warmth. Gentle peat. Slight dry medicinal to strong alcohol character. Mature cheese, peppery. Butter fat. Water makes smoother, saltier, drier and less sweet. Vanilla and vanilla toffee. Slight lime.

Finish: Brown bread. Dry. Dry vodka. Gentle peat smoke. Water adds slight lime, vanilla and white chocolate.

Conclusion: Ok, Bunnahabhain is generally an unpeated whisky, I know that. This still tastes lightly smokey, ok? I cant lie on that one! It isn’t a meaty smoke character. But there is still some. Anyway, got that out of the way.

Neat it is a thick, kind of fish skin oils touched, slightly alcohol warm thing with big honey sweetness against a salty, rocky Islay character. The higher alcohol feel makes it a tad drying, which doesn’t quite match the sweeter character but it makes a simple, comparatively gentle Islay flavour set with a nice oily, thick mouthfeel.

Water does a lot of good, removing the harsher alcohol notes and the accompanying dryness, but it also strip out the more interesting flavours. The sweetness becomes more gentle and the odd oily, butter fats and peppery notes are lost.

Water makes it the easy drinking Islay, still showing a light peat smoke (I have no idea how), gentle sweetness and light salt. Easy to drink but most of the fun is lost. Id say the more interesting texture and flavour of the neat whisky makes it worth the slighter harsher notes that come with it. Give it some time to air, to get rid of some of the rough fumes, but drink neat – it makes for a reasonable attempt at a balance.

It isn’t a standout of the Islay world, but it really shows the non chill filtered style with a very nuanced mouthfeel that would otherwise have been lost. The slight mature cheese notes seem to be one of those extra elements and one I find fascinating. Apart from that it is generic light side of Islay flavour, good mouthfeel and some rough notes.

Not bad, not must have, but a decent take on the light end of Islay.

Background: Been digging these hip flask sized Single Cask bottlings for a while, a chance to get to know a whisky reasonably without dedicating the cash to a full bottle. Though I have had so many now I needed to ask for help from the lot at Independent Spirit so I could look up online which ones I have already done notes on. Bunnahabhain is an interesting one, a generally unpeated Islay. Not one I have had a huge range of experience with so this was chance to try and sort that. I’d been watching Kaizo Trap tons recently so put on some Leslie Wai music while drinking. Mainly Paradigm, the track from Kaizo Trap. This was distilled Oct 2007 and bottled Dec 2017.

Douglas Laing’s XOP Laphroaig 18 Year (Scottish Islay Single Malt Single Cask Whisky: 18 year: 56.8% ABV)

Visual: Bronzed with slow thick streaks from the spirit.

Nose: Peat. Charcoal. Strong alcohol. Salt. Sultanas. Moss and seaweed. Medicinal. Dry cake sponge. Kippers. Brown sugar. Water adds smoke and oily notes.

Body: Sherry. Strong alcohol. Charring and soot. Medicinal. Salt. Charred nougat. Salt. Water adds cherries. Dry red wine. Huge peat. Tannins. Raisins. Slight peach. Grapes. Plums.

Finish: Soot. Dried beef. Numbing alcohol. Malt chocolate. Iodine. Water adds tannins. More malt chocolate. Nut oils. Tofu. Vanilla toffee and chocolate toffee.

Conclusion: Usually Laphroaig loses some of the peat and medicinal intensity as it ages, losing some of those elements that make the younger spirit so very identifiable. For what it loses there it however gains greater subtlety, smoothness and complexity.

This does not lose the intensity in any way, shape or form. It is sooty, peaty, dried beef, salt, seaweed and medicinal all in one, all punching out at the brutal cask strength. The sherry ageing, usually so dominant in whisky, tries to push to the fore. It brings, oddly enough, dry sherry notes as well as the more expected red wine notes, but they are backing the intense Laphroaig character, not leading it or controlling it.

Neat it is a brutally intense experience – there is sweetness coming like nougat that has been quickly charred somehow – harsh, with oiliness coming in from kippers to nut oils seeping under that. It feels as much as it tastes, with hard to place savoury notes weighing in heavily to ground it.

Now, if that kick is too much there is always water to play with, and the high abv gives a lot of room to do so. It still keeps the medicinal and sooty character, but brings out layers of dry red wine, sultanas, cherries and even odd fruit notes, before heading back into a dry and medicinal finish.

Now, I tend to wait a week or so after opening a bottle to do notes these days, seems to clear out some rough notes, so I’ve had this a few times now. Caught at the wrong moment this can be quite closed as a whisky. The intense alcohol, charring and smoke can close off access to everything else, and sometimes is seems even water play can’t open it up. Other times, caught at the right moment it has all the goodness of a young Laphroaig, some quarter cask notes, matched with rich red fruit and a mix of red wine notes that makes it utterly exceptional.

I love it – it is a super intense ride of Laphroaig and more. However, even loving it, it is a ride of high points and low points depending on how it is reacting today. For the high points I am happy with it, as when it is on it us bloody amazing and I have not seen such a mix of intensity, Laphroaig character and wood character work so well before. However at the cost, something that may be not super reliable on the high may not be worth it for you.

So, look at the cost, look at the info here, make up your mind. You call.

Background: Ok, this is very expensive even for an 18 year old Laphroaig, and those are not exactly common. I was allowed to try the tiniest of sips of a sample at Independent Spirit and it blew me away, but there was no way I could get it at the time. Then I received a cheque saying an audit had revealed I was owed money and well, so now I own a bottle. I don’t believe in fate, but if I did then it definitely wanted me to have this whisky. Anyway, cask strength, in a stupidly over the top box which is so wasteful, but I would be lying if I said I did not find cool. I am a hypocrite, grr, down with wasteful packaging! Anyway, I was nervous breaking this open, hoping it would hold up to my memory – especially after buying the darn thing! Anyway put on some old, more goth era Lacuna Coil while drinking. Still like their more metal newer stuff, but it seems to waste the vocal range that the singers have – old school is where it is at.

Kilchoman: Port Cask: 2018 (Scottish Islay Single Malt Whisky: 50% ABV)

Visual: Bronzed with a red to rose wine hue. Fast thick streaks come from the spirit.

Nose: Oily. Burnt tyres. Potpourri. Rose wine. Toast. Petals. Ash and smoke. Cold cellars. Brown sugar.

Body: Strawberry. Tingling alcohol. Dusty. Charred toast and brown bread. Soot. Water adds peat, cherries, perfume air, soft cherryaid and salt.

Finish: Dusty. Toast. Salt. Red berries. Muted red wine. Malt drinks and malt chocolate. Water adds toffee and caramel. Riesen chocolate chews. Soot. Dried apricot. Cherries.

Conclusion: Ok, this is a lot better than my first encounter with it at a whisky tasting night. It probably helps that this time it isn’t the fourth whisky in the rotation, plus it has had some time to breath. Anyway, back then I was worried that I had grabbed a dull one and had it waiting for me at home. Now? Well let us see.

Neat it is still lacklustre and a bit closed. It is a mix of sooty and perfumed in the body, which was weird as it had a very enticing oily aroma enticing you in, just seeping slowly over the lip of the glass, but the actual sipping of it gives none of that. Without water that closed nature means you get very little of the port influence. It actually felt kind of toast like – quite drab.

Water makes a big different. It is still slightly closed and more sooty than peaty, but now it has subtle red fruit in the body, and that element raises more the more you add extra water into the mix. I find it odd as it is muted in the red fruit and muted in the Islay characteristics – both individual elements feel weak, but together it is more than the sum of its parts. The subtle red fruit behind soot works better than I would have imagined it would. Grounded, ash over muted red wine and cherries. Still not great one, but somehow these elements come together to accentuate each other well.

So, not as good in my opinion as the demand for it would suggest, especially before giving it some time to air where it was very closed. Now, well it is a solid sooty, smokey whisky against good use of port. Well with water at least. I respect it, but can’t say I would recommend it highly against the other Islays or even the other Kilchomans. Interesting as one of the little done port aged Islay, but far from a must have.

Background: Had this for a short while before trying – I had to grab it fast as it is one of 10,000 bottles and they flew off the shelves. Kilchoman has been a lovely new Islay distillery, and I’m generally a fan of Port Cask ageing so it seemed like a must buy. I was a bit nervous though – after buying it I had tried it at an Independent Spirit Uber whisky tasting and found it kind of average- plus on immediately breaking this open the first dram seemed similarly mediocre. Still, as I do with whisky these days I left it a week or so after opening before doing notes – lets see if a bit of time to breath has helped it. Put on some of The Royal They while drinking – their mix of quirky tunes yet solid lyrics delivered often in a more upbeat sound than the actual message would lead you to expect has made me a fan.

Kilchoman: Comraich: Batch 3 (Scottish Islay Single Malt Whisky: 10 year: 55.5% ABV)

Visual: Clear gold with a mix of fast and slow streaks from the spirit.

Nose: Smoke and honey. Thick stewed fruit and raisins. Barbecue glaze. Water adds beef slices.

Body: Thick and oily. Smoked gammon. Stewed apricot. Big peat and well done steak. Charring. Honey. Water adds cherries, fruitcake and more oily character. Shortbread. Sticky toffee.

Finish: Oily, kippers. Oily smoke. Ash and charcoal touch. Water adds raisins and sultanas. Black-cherry.

Conclusion: This is absurdly easy to drink for an over 50% abv whisky. I was half way through it before I realised I should think about adding water and seeing how that altered things. Now don’t be tricked into thinking that this means this is a light whisky though. This is a thick, oily and heavy thing – it is just that it is delivered absolutely smooth with pretty much no alcohol character at all. If fact it turns out adding water made the alcohol just slightly more evident as there was no way it could make it any less. This is an impressive beast from the get go.

It has bloody big flavours to match that big body as well – smoked thick cut gammon, thick stewed and dark fruit against a heavy sweetness. Everything is thick, oily and smoked – in fact the smoke and the oil mix perfectly to create the feel of the ideal of the concept of peat juice dripping on your tongue.

So, with it being that impressive neat, does water weaken the experience? Hell no! There is now big sweetness but still heavy character – dark fruit comes out to match the meat and smoke, making fruit cake and black-cherry along with more traditional beef notes for the meat. Everything fills your mouth with its oily sheen and peaty air. This is all underlined by an oily by more understated finish – dry ash, smoke and charring all add up to draw a line under each sip’s experience.

So, to conclude, this is amazing neat, amazing with water as it adds to an already exellent experience and the alcohol strength gives a lot of room to experiment.

For Islay fans, if you can find it, this is a must try.

Background: Oh man, this is a rare one – the Comraich series is, best I can tell, a whisky that is released only to select bars around the world. In this case there are only three bars in the UK that have it – thankfully The Hideout of Bath is one of them! So, yeah, bias warning, I was hyped to get to try this. This was my second time drinking it, the first was, as you might expect, also at the Hideout, but had come after an absolutely brilliant Irish whiskey tasting so I realised I may not have got all of the subtlety, so I returned, pen in hand to try it on a sunny Saturday afternoon. Oh the hard life. It is a mix of three ten year old casks, two bourbon and one sherry aged from 2007 to 2017. While drinking I noticed a little dinosaur hiding in the wall, so grabbed a shot of him to add below.

The Loch Fyne: The Living Cask 1745 (Scottish Blended Malt Whisky: 43.6% ABV)

Visual: Solid gold. Fast thick streaks.

Nose: Pungent peat. Moss. Aubergine. Brown bread. Dried beef slices. Smooth. Dumplings. Light salt. Solid. Water makes drier. Lightly nutty amongst the peat.

Body: Smooth. Honey. Alcohol warmth. Peppered beef slices. Vanilla toffee. Smooth, mouth filling peat. Water adds caramel, more honey. Even smoother and adds light apricot.

Finish: Fruitcake. Raisins. Salt. Malt chocolate. Oily. Cherries. Port. Falling apart beef and heavy peat. Water keeps fairly similar.

Conclusion: This is bloody smooth. It is honeyed, weighty in thickness but no alcohol burn at all, just a soothing warmness. The peat is meaty and filling, coating the mouth and giving a gentle mossy smoke to everything while the sweeter notes dance. Gentle isn’t quite the right word – more it just oozes into every tastebud so easily that it feels like it was always there. In fact it works so well that I was afraid to add water lest I spoil it.

I shouldn’t have worried, all the water did was make it even smoother still and bring out more sweet character – now bringing toffee notes against the meaty broth imagery.

What is most notable about this whisky is what Islay elements it doesn’t use. There are no medicinal touches, very little salt – it just balances the sweet, thick notes with big meaty peat creating an exceptionally smooth yet booming whisky. It is so different from a lot of Islays – if actually feels like what the already good Elements Of Islay whisky was aiming for – sweet, but peaty – but this actually does it so much better.

Basically, I am very impressed. So, what flaws does this have? Well it is single minded – water soothes but changes very little. What you see at the start is what you get at the end. If you are happy with that as I was, then I can recommend this whole heartedly.

Background: I’ve been intrigued by the Living Cask for a while – a blended malt whisky where the cask is topped up regularly with more malt so it is ever changing and every varying, with some of the malt sticking around each time. A fascinating concept. So, when I saw this mini at The Whisky Shop I thought I would grab it. They had a pretty decent mini selection there – I may have to grab some more for random notes. After a quick google it looks 1745 is their original Islay only blended malt, with the other Living Casks being offshoots where other malts are added. I think. Let me know if I got it wrong please. Put on Massive Attack: Mezzanine for this. Had a feeling it would be a big moody whisky and wanted tunes to match.

Elements Of Islay: OC5 (Scottish Islay Single Malt Whisky: 59.8% ABV)

Visual: Pale yellowed grain. Slow thick streaks from the spirit.

Nose: Chilli pepper. Chipotle chilli notes. Light charcoal dust. Fresh white crusty bread. Water adds dried beef, beetroot and pulled pork along with a salt touch.

Body: Golden syrup. Mass of alcohol. Barbecue glaze. Water adds more barbecue sauce glaze, custard. Salt. Drying. Syrup notes and cherries.

Finish: Barbecued meat. Pear. Smoke. Water makes more oily. Slow cooked stew. More water adds more peat, beef and syrup. Light strawberry. Chipotle sauce.

Conclusion: I’m slightly mixed on my opinion on this, as there is a heck of a lot going on in the near 60% of abv and a hundred whatever levels of peat per million it throws at you. In general I love the Octomore in all the expressions I have encountered, I love the range it brings in, but with this one it feels like there are many different mashed up elements that are great, but do not come together here.

Early on it is mainly showing the intense alcohol, with less peat intensity than you would expect as the sheer strength makes it come across quite closed. Water is definitely needed to bring out the cornucopia of clashing notes I alluded to earlier. There is a glazed barbecue backbone, smoke but still less that you would expect. It is more meaty than anything else, slow cooked, falling apart to touch meat in the stew and pulled pork imagery.

More water clashes with the peat imagery even more as an oddly sweet syrupy core comes out, another element added in that pulls the whisky in yet another different direction. First the glazed barbecue, then the meat and peat, the syrup, red fruit late on – all elements I enjoy,but not a coherent whole.

Enjoyable, and a wild ride, but doesn’t do better than the more focussed, though lower abv, intensity of the standard Octomore – and with that you get a silly shiny bottle as well.

Background: Final of the whiskies from the recent Uber whisky tasting at Independent Spirit. If you are wondering what happened to the foruth whisky, I already have a bottle of it and will be doing full notes at a a later date. This is an independent Octomore bottling, from the very respectable Elements Of Islay range – Octomore being Bruichladdich’s very highly peated whisky. This is probably the only cask strength bottling of Octomore I have seen, which makes it interesting in itself. I’m a big fan of Octomore even if the super high peat level is more of a marketing gimmick than a huge element of the whisky itself. As is usual for these kind of events I was slightly distracted by the event, but still tried to do the best notes I could as who would know when I would get the chance to try whisky like this again. I was more inebriated by the point I took the photo of the glass, so it is just a tad out of focus, to say the least.

Douglas Laing: Platinum XOP Ardbeg 1992 (Scottish Islay Single Malt Whisky: 25 Year: 50.5% ABV)

Visual: Very clear light grain with green touches. Fast, thick streaks form from the spirit.

Nose: Charcoal. Medicinal. Soot. Cheesy yeastiness to mature cheddar. Light orange zest. Burnt marshmallow. Water adds white chocolate, kippers and vanilla.

Body: Strong alcohol. Oily. Almost evaporates on tongue. Waxy and medicinal. Slight traditional lemonade. Water adds mature cheese, fudge and a lime touch. More water adds custard, smoked fish and nut oils. Later vanilla, coconut and light golden syrup notes.

Finish: Butterscotch. Oily. Charring. Tart grapes. Salt. White pepper. Water adds mature cheddar, squeezed lime and light cherry. Walnut oils. Milky chocolate.

Conclusion: Well fuck me, this is one heck of a dram. Now, neat it is intense, but slightly closed. There is massive charcoal, medicinal notes, massively oily and waxy. It is one that hits the throat and then almost evaporates away, just leaving charring and salt. There some hints of more to it though – a cheese yeastiness, slight sweetness, but they are only hints. Similarly traditional lemonade imagery floats over it, but never quite forms fully.

Now, when you add water, holy shit that is when you start to get real play from this! Mature full bodied cheese flavour now matched with oily nut flavours and feel that adds such depth to the once closed whisky.

The bourbon cask notes are now slowly coming out with the usual vanilla, fudge and coconut sweetness as light notes against the heavy oils – notes that rise up the more you add water into syrup and custard fuller sweet notes. However at no point does it forget its base, booming with charcoal and smoked kipper heaviness, just now with more behind that.

This is intense, complex, sweet with delicate notes somehow surviving the oily nut character and medicinal style. Now, this is not nine hundred pounds good to me, as I don’t have that kind of cash to throw around, but it is the best damn Ardbeg I have ever encountered, so for people who have that kind of money, then yeah I would say get it.

Background: So, before we go any further, I found out how much this cost. Nearly nine hundred fucking quid. Fuck me. Anyway… this was the third whisky of Independent Spirit‘s recent Uber whisky tasting. You may have wondered where the 2nd went. It was Glenfarclas 21, I had already done notes on that. Still a good dram. Anyway, this is cask strength, single cask, bottled in 2018, unchillfiltered, Ardbeg that is one of 251 bottles, so something very special to try. As is usual for these kind of events I was slightly distracted by the event, but still tried to do the best notes I could as who would know when I would get the chance to try whisky like this again – especially for this one.

Port Askaig: 8 Year (Scottish Islay Single Malt Whisky: 8 Year: 45.8% ABV)

Visual: Pale yellow with brackish green tinge. Fast thick streaks. Water makes very cloudy.

Nose: Medicinal. Reek of peat. Peppered beef slices. Peppercorn. Light salt. Water brings out more medicinal notes.

Body: Beef slices. Peat smoke. Overdone steaks. Salt. Slightly tarry. Vanilla. Golden syrup. Some alcohol weight and warmth. Water makes smoother. Adds vanilla fudge. Pears. More medicinal notes. Apricot. Light bread. Lime cordial.

Finish: Drying. Salt. Light vanilla. Tarry. Golden syrup. Apple pies. Water makes medicinal. Adds lime jelly and slight zestiness. Apricot.

Conclusion: This is a big ‘un. Yet water makes it oh so mellow. Ok, I am kind of lying my balls off there. It is not mellow, but there is a whole other subtle set of characteristics under the peat assault that only come out when you add water.

So, first of all let’s take a look at this without water. Whoa! This reeks, utterly reeks of peat. In a good way. It has huge intense smoke and smoked beef, mixed with peat, with medicinal notes in there as well. Without water a vanilla and golden syrup sweetness backs it up over time, but the rest of the intensity does not let up.

Now at this point it is not complex, but it does show the advantage of a younger spirit in keeping the peat intensity up. It is heaven for smoke fanatics, while utterly lacking in subtlety.

Then you add water.

It happens slowly – drop by watery drop. First vanilla fudge comes out, then soft lime notes, then finally sweet apricot creeps out from under the peat nest it is birthed in. What the heck even is this? Apart from delicious I mean.

Now it isn’t quite Lagavulin 16 level must have, but the range it runs with water – going from sheer assault, to still weighty but with a great range of fruit notes – well, that makes this a steal at the 40 quid ish price it goes for.

Both heavy duty Islay, and complex restrained Islay in one whisky. I advise grabbing a bottle and adding water to your preference. Very impressive.

Background: I had Port Askaig for the first time many a year ago at a whisky show. It was very nice, but I never did get around to grabbing a bottle of it for myself since. That mistake has now been rectified. Port Askig is not a distillery, but a bottling of one of the other existing Islay distilleries under the Port Askaig brand. So far quality has been very high. The most common guess of what distillery it is from is Caol Ila and Ardbeg. I have no idea. Anyway, I grabbed this from Independent Spirit and broke it open with some Karnivool to listen to – Sound Awake to be exact. Saw them as a warm up band once, and enjoyed them enough to grab the CD there and then. Pretty soothing music for background noise.

%d bloggers like this: